Leopoldo Méndez
Lucha por el carbón (Fighting for Coal)
1944
On View in Works on Paper Gallery
1 / 1
-
Artist
Leopoldo Méndez
(Mexican, 1902–1968)
- Title Lucha por el carbón (Fighting for Coal)
- Date 1944
- Medium Woodcut
-
Dimensions
sheet | 6 1/4 x 5 3/8 in.
- Credit line Gift of Mr. and Mrs. Irvin Dagen, 1983
- Object number WU 1983.5.5
-
Technique
woodcut
-
Work type
print
-
Theme
Activism and Protest
-
Currently on View
Works on Paper Gallery
Humor, Irony, and Satire: Strategies of Critique in Modern Art and Culture
Mildred Lane Kemper Art Museum, Washington University in St. Louis, 05/21/2010 - 07/18/2010
1983
Irvin and Margaret Dagen
This artwork record may be incomplete or need refinement. Our staff actively researches the collection and revises records when new information is available. If you have questions or comments about this record, please contact us.
Related Works
go to El camino a Campeche (The Road to Campeche) page
Leopoldo Méndez
El camino a Campeche (The Road to Campeche)
1946
go to Arrest of a demonstrator in Birmingham, Alabama page
Bruce Davidson
Arrest of a demonstrator in Birmingham, Alabama
1963, printed later
go to Lotto: The American Dream, from the portfolio 10: Artist as Catalyst page
Luis Cruz Azaceta
Lotto: The American Dream, from the portfolio 10: Artist as Catalyst
c. 1992
go to Beratung (Conspirators), from the series Weavers' Revolt page
Käthe Kollwitz
Beratung (Conspirators), from the series Weavers' Revolt
1898
go to The Scarlet Letter—The Prison Door (after Nathaniel Hawthorne) page
Tim Rollins
Kids of Survival (K.O.S.)
The Scarlet Letter—The Prison Door (after Nathaniel Hawthorne)
1992–93
go to Interrogation, from the portfolio 10: Artist as Catalyst page
Leon Golub
Interrogation, from the portfolio 10: Artist as Catalyst
c. 1992
go to Cure/Heal, from the portfolio 10: Artist as Catalyst page
Lorna Simpson
Cure/Heal, from the portfolio 10: Artist as Catalyst
published 1992
go to Selections from "The Survival Series" page
Jenny Holzer
Selections from "The Survival Series"
1983–84
go to Telling Many Magpies, Telling Black Wolf, Telling Hachivi page
Hock E Aye Vi Edgar Heap of Birds
Telling Many Magpies, Telling Black Wolf, Telling Hachivi
1989
go to Thurgood in the Hour of Chaos, from the portfolio America America page
Rashid Johnson
Thurgood in the Hour of Chaos, from the portfolio America America
2009
go to Kein Hahn kräht nach ihnen (Nobody Cares about Them) page
George Grosz
Kein Hahn kräht nach ihnen (Nobody Cares about Them)
1920
go to We Have Not Forgotten, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part page
R. B. Kitaj
We Have Not Forgotten, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969
go to La Lucha del Pueblo, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part page
R. B. Kitaj
La Lucha del Pueblo, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969
go to Partisan Review, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part page
R. B. Kitaj
Partisan Review, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969
go to Transition, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part page
R. B. Kitaj
Transition, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969
go to The Wording of Police Charges, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part page
R. B. Kitaj
The Wording of Police Charges, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969
go to The Jewish Question, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part page
R. B. Kitaj
The Jewish Question, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969
go to Market Diner, from the portfolio City-Scapes page
John Baeder
Market Diner, from the portfolio City-Scapes
1979
go to Forward, from the portfolio City-Scapes page
London Arts, Inc.
Studio Heinrici
Forward, from the portfolio City-Scapes
1980
go to 451, from the potfolio City-Scapes page
Thomas Leo Blackwell
451, from the potfolio City-Scapes
1979
go to Gas Line, from the portfolio City-Scapes page
Ron Kleeman
Gas Line, from the portfolio City-Scapes
1979
go to Building Reflection, from the portfolio City-Scapes page
C. J. Yao
Building Reflection, from the portfolio City-Scapes
1979
go to Triumphal Arch of Marcus Aurelius, from Speculum Romanae Magnificentiae page
Antonio Lafreri
Triumphal Arch of Marcus Aurelius, from Speculum Romanae Magnificentiae
16th century
go to Head of Worker, from the series Bayonne page
Komar and Melamid
Head of Worker, from the series Bayonne
1989
go to Anger, from the portfolio The Seven Deadly Sins page
William S. Burroughs
Anger, from the portfolio The Seven Deadly Sins
1991
go to Lust, from the portfolio The Seven Deadly Sins page
William S. Burroughs
Lust, from the portfolio The Seven Deadly Sins
1991
go to "Mes chers petits Parisiens..." ("My dear little Parisians..."), from La Charge page
Alfred Le Petit
"Mes chers petits Parisiens..." ("My dear little Parisians..."), from La Charge
n.d.
go to Ça glisse tout seul maintenant (She is Skating through Beautifully Now) page
Gustave Frison
Ça glisse tout seul maintenant (She is Skating through Beautifully Now)
1850
go to – R[i]entière, dites-vous?" (– A person who is independently wealthy, you say?), from the series A la mer (By the Sea) page
Alfred Grévin
– R[i]entière, dites-vous?" (– A person who is independently wealthy, you say?), from the series A la mer (By the Sea)
n.d.
go to – Monsieur, je vous prie très-sérieusement de passer votre chemin; je suis une honnête femme! (– Sir, I beg you very seriously to pass me by and go your way; I am an honest woman!), from the series Fantaisies Parisiennes (Parisian Fantasies) page
Alfred Grévin
– Monsieur, je vous prie très-sérieusement de passer votre chemin; je suis une honnête femme! (– Sir, I beg you very seriously to pass me by and go your way; I am an honest woman!), from the series Fantaisies Parisiennes (Parisian Fantasies)
n.d.
go to Dans Breda-Street (On Breda-Street), from the series Fantaisies Parisiennes (Parisian Fantasies) page
Alfred Grévin
Dans Breda-Street (On Breda-Street), from the series Fantaisies Parisiennes (Parisian Fantasies)
n.d.
go to – Si je connais Brrrébant! Il me demande si je connais Brrrébant! (– If I know Brrrebant! He's asking me if I know Brrrebant!), from the series Fantaisies Parisiennes (Parisian Fantasies) page
