Mel Ramos
Candy, from S.M.S. No. 5
1968
1 / 1
-
Artist
Mel Ramos
(American, 1935–2018)
- Title Candy, from S.M.S. No. 5
- Date 1968
- Medium Photolithograph
-
Dimensions
unframed | 10 7/8 x 13 7/8 in.
- Credit line University purchase, 1990
- Object number WU 1990.13.5 B
-
Work type
print
-
Theme
Consumerism and Commodity Culture
Gender and Sexuality
Ambivalent Pleasures: Advertiser Content in American Art
Mildred Lane Kemper Art Museum, Washington University in St. Louis, 08/29/2022 - 01/02/2023
(Un)masking Health: Counter Perspectives
Mildred Lane Kemper Art Museum, Washington University in St. Louis, 01/19/2022 - 07/25/2022
Postwar Prints and Multiples: Investigating the Collection
Mildred Lane Kemper Art Museum, Washington University in St. Louis, 02/02/2018 - 04/16/2018
Reframing Feminism: Visualizing Women, Gender & Sexuality
Mildred Lane Kemper Art Museum, Washington University in St. Louis, 09/08/2017 - 01/08/2018
Humor, Irony, and Satire: Strategies of Critique in Modern Art and Culture
Mildred Lane Kemper Art Museum, Washington University in St. Louis, 05/21/2010 - 07/18/2010
Beauty and the Blonde: An Exploration of American Art and Popular Culture
Mildred Lane Kemper Art Museum, Washington University in St. Louis, 11/16/2007 - 01/28/2008
1990
Randall Galleries
This artwork record may be incomplete or need refinement. Our staff actively researches the collection and revises records when new information is available. If you have questions or comments about this record, please contact us.
Related Works
go to Sandwich and Soda, from the portfolio X + X (Ten Works by Ten Painters) page
Roy Lichtenstein
Sandwich and Soda, from the portfolio X + X (Ten Works by Ten Painters)
1964
go to La bouteille de Suze (Bottle of Suze) page
Pablo Picasso
La bouteille de Suze (Bottle of Suze)
1912
go to Shira and Sarah, from the portfolio Every breath we drew page
Jess T. Dugan
Shira and Sarah, from the portfolio Every breath we drew
2020, published 2022
go to Early morning light, Boston, from the portfolio Every breath we drew page
Jess T. Dugan
Early morning light, Boston, from the portfolio Every breath we drew
2020, published 2022
go to World Body Building Guild (W. B. B. G.), Brooklyn, New York, from the portfolio Groups in America page
Neal Slavin
World Body Building Guild (W. B. B. G.), Brooklyn, New York, from the portfolio Groups in America
1979
go to Untitled (In a Dream You Saw a Way to Survive and You Were Full of Joy) page
Jenny Holzer
Untitled (In a Dream You Saw a Way to Survive and You Were Full of Joy)
1983–85
go to Untitled (Men Don't Protect You Anymore) page
Jenny Holzer
Untitled (Men Don't Protect You Anymore)
1983–85
go to ROCKSTARS (CHARACTER APPROPRIATION) (ROLLENANEIGNUNG) page
Cosima von Bonin
ROCKSTARS (CHARACTER APPROPRIATION) (ROLLENANEIGNUNG)
2003
go to Benia Krik, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part page
R. B. Kitaj
Benia Krik, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969
go to London by Night, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part page
R. B. Kitaj
London by Night, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969
go to XYZ Photo Eye, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part page
R. B. Kitaj
XYZ Photo Eye, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969
go to Hollywood wie es wirklich ist, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part page
R. B. Kitaj
Hollywood wie es wirklich ist, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969
go to The Tower, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part page
R. B. Kitaj
The Tower, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969
go to O'Neill, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part page
R. B. Kitaj
O'Neill, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969
go to Max and the White Phagocytes, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part page
R. B. Kitaj
Max and the White Phagocytes, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969
go to Pride of the Yankees, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part page
R. B. Kitaj
Pride of the Yankees, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969
go to How to Read, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part page
R. B. Kitaj
How to Read, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969
go to Frontispiece: Horizon Blitz, from the portfolio Struggle in the West/The Bombing of London page
R. B. Kitaj
Frontispiece: Horizon Blitz, from the portfolio Struggle in the West/The Bombing of London
1967
go to Title Page, from the portfolio Struggle in the West/The Bombing of London page
R. B. Kitaj
Title Page, from the portfolio Struggle in the West/The Bombing of London
1967
go to Bullets die Alte Zeit, from the portfolio Struggle in the West/The Bombing of London page
R. B. Kitaj
Bullets die Alte Zeit, from the portfolio Struggle in the West/The Bombing of London
1969
go to Safeguarding of Life in Theatres, from the portfolio Struggle in the West/The Bombing of London page
R. B. Kitaj
Safeguarding of Life in Theatres, from the portfolio Struggle in the West/The Bombing of London
1969
go to Little Italy, from the portfolio City-Scapes page
Charles Bell
Little Italy, from the portfolio City-Scapes
1979Related Content
go to Reframing Feminism: Visualizing Women, Gender & Sexuality page
Exhibitions
Reframing Feminism: Visualizing Women, Gender & Sexuality
September 08, 2017–January 08, 2018
go to Postwar Prints and Multiples: Investigating the Collection page
Exhibitions
Postwar Prints and Multiples: Investigating the Collection
February 02, 2018–April 16, 2018
go to (Un)masking Health: Counter Perspectives page
Exhibitions
(Un)masking Health: Counter Perspectives
January 19, 2022–July 25, 2022
go to Ambivalent Pleasures: Advertiser Content in American Art page
Exhibitions