Unknown (French, 19th century)
L'artiste s'épuise à indiquer les finesses répandues dans son oeuvre: (The Artist wears himself out trying to underscore the subtleties permeating his work:.), from the series Salon de 1841 (Salon of 1841), published in Le Charivari
n.d.
1 / 1
-
Artist
Unknown (French, 19th century)
- Title L'artiste s'épuise à indiquer les finesses répandues dans son oeuvre: (The Artist wears himself out trying to underscore the subtleties permeating his work:.), from the series Salon de 1841 (Salon of 1841), published in Le Charivari
- Date n.d.
- Medium Lithograph
-
Dimensions
sheet | 9 3/4 x 13 11/16 in.
- Credit line Gift of Eric G. Carlson in honor of Professor Elizabeth C. Childs, 2000
- Object number WU 2000.0096
-
Technique
lithography
-
Work type
print
caricature
This artwork record may be incomplete or need refinement. Our staff actively researches the collection and revises records when new information is available. If you have questions or comments about this record, please contact us.
Related Works
go to Gard à vous, blagueurs! portez arme! (Watch yourself, jokers! Carry arms!), published in La Caricature page
Unknown (French, 19th century)
Gard à vous, blagueurs! portez arme! (Watch yourself, jokers! Carry arms!), published in La Caricature
1830–35
go to L'adoration du Veau D'or. (Worship of the golden calf.), published in La Caricature page
Unknown (French, 19th century)
L'adoration du Veau D'or. (Worship of the golden calf.), published in La Caricature
1830–35
go to "Ma maison a toujours été renommée pour la rigidité de ses mœurs (My business has always been renowned for the rigidity of its mores.), from the series Fariboles (Nonsense), published in Le Charivari page
Unknown (French, 19th century)
"Ma maison a toujours été renommée pour la rigidité de ses mœurs (My business has always been renowned for the rigidity of its mores.), from the series Fariboles (Nonsense), published in Le Charivari
n.d.
go to "Oui, ma chère, c'est un vrai Prince Russe… (Yes, my dear, he is a real Russian Prince….), from the series Fariboles (Nonsense), published in Le Charivari page
Unknown (French, 19th century)
"Oui, ma chère, c'est un vrai Prince Russe… (Yes, my dear, he is a real Russian Prince….), from the series Fariboles (Nonsense), published in Le Charivari
n.d.
go to La question dort. (The Question is sleeping.), from the series Question d'Orient (The Orient Question), published in La Mode page
Unknown (French, 19th century)
La question dort. (The Question is sleeping.), from the series Question d'Orient (The Orient Question), published in La Mode
5 October 1839
go to La République saura bien leur échapper… (The Republic will find a way to break away from them...), from the series Actualité (Current Events) page
Unknown (French, 19th century)
La République saura bien leur échapper… (The Republic will find a way to break away from them...), from the series Actualité (Current Events)
n.d.
go to "On nous avait laissé là avec l'ordre de vous faire sauter tous…." (-We were left here with the order to blow you up….), from the series Nos Troupiers en Orient (Our Soldiers in the Orient) page
Unknown (French, 19th century)
"On nous avait laissé là avec l'ordre de vous faire sauter tous…." (-We were left here with the order to blow you up….), from the series Nos Troupiers en Orient (Our Soldiers in the Orient)
n.d.
go to La grande bataille du 21 aôut 1881 (The Great Battle of August 21, 1881) page
Unknown (French, 19th century)
La grande bataille du 21 aôut 1881 (The Great Battle of August 21, 1881)
1881
go to Notre futur archivique (Our Future Archbishop) page
Unknown (French, 19th century)
Notre futur archivique (Our Future Archbishop)
late 19th century
go to "Charmant petit débardeur….." ("Charming little roustabout….."), from the series Bals Masqués (At the Masquerade Ball), published in Le Charivari page
Unknown (French, 19th century)
"Charmant petit débardeur….." ("Charming little roustabout….."), from the series Bals Masqués (At the Masquerade Ball), published in Le Charivari
10 December 1859
go to Elle est joliment gentille cette bouquetière là!.... (— She is prettily kind this flower vendor!....), from the series Fariboles (Nonsense), published in Le Charivari page
Unknown (French, 19th century)
Elle est joliment gentille cette bouquetière là!.... (— She is prettily kind this flower vendor!....), from the series Fariboles (Nonsense), published in Le Charivari
after 1841
go to "Un vieux de la vieille, ("One of the old brigade,), from the series Les Pétitions Illustrées (Petitions Illustrated), published in Le Charivari page
Unknown (French, 19th century)
"Un vieux de la vieille, ("One of the old brigade,), from the series Les Pétitions Illustrées (Petitions Illustrated), published in Le Charivari
13 October 1848
go to Inconvénient de se promener dans la campagne en temps de recherches politiques. (Disadvantage of taking a walk in the country in time of political turmoil.), from the series Fariboles (Nonsense), published in le Charivari page
Unknown (French, 19th century)
Inconvénient de se promener dans la campagne en temps de recherches politiques. (Disadvantage of taking a walk in the country in time of political turmoil.), from the series Fariboles (Nonsense), published in le Charivari
after 1841
go to Le gibier qui est toujours le plus tentant. (The game that is always more tempting.), from the series Fariboles (Nonsense), published in le Charivari page
Unknown (French, 19th century)
Le gibier qui est toujours le plus tentant. (The game that is always more tempting.), from the series Fariboles (Nonsense), published in le Charivari
n.d.
go to "Il parait que c'est une plante magnifique….." (It is said to be a magnificent plant...), from the series Fariboles (Nonsense), published in Le Charivari page
Unknown (French, 19th century)
"Il parait que c'est une plante magnifique….." (It is said to be a magnificent plant...), from the series Fariboles (Nonsense), published in Le Charivari
n.d.
go to "C'est moi que vous avez peint, et pourtant je ne me reconnais pas!.." (This is me that you painted, and yet I don’t recognize myself!..), from the series Fariboles (Nonsense), published in Le Charivari page
Unknown (French, 19th century)
"C'est moi que vous avez peint, et pourtant je ne me reconnais pas!.." (This is me that you painted, and yet I don’t recognize myself!..), from the series Fariboles (Nonsense), published in Le Charivari
n.d.
go to Allons!.... tout beau Philippe, (Come on!.... handsome Philippe,) page
Unknown (French, 19th century)
Allons!.... tout beau Philippe, (Come on!.... handsome Philippe,)
n.d.
go to Je réponds (à ceux qui demandent où étaient les Royalistes, le 29 Juillet) (I answer [to those who ask where the Royalists were on July 29]) page
Unknown (French, 19th century)
Je réponds (à ceux qui demandent où étaient les Royalistes, le 29 Juillet) (I answer [to those who ask where the Royalists were on July 29])
n.d.
go to Couture. (Couture.), from the series Salon Caricatural de 1843 (Caricature Salon of 1843) page
Unknown (French, 19th century)
Thomas Couture
Couture. (Couture.), from the series Salon Caricatural de 1843 (Caricature Salon of 1843)
May 15, 1843
go to La République chassant la basse-cour des Tuileries (The Republic Driving the Poultry Out of the Tuileries Palace), from the series Actualités (Current Events) page
Unknown (French, 19th century)
La République chassant la basse-cour des Tuileries (The Republic Driving the Poultry Out of the Tuileries Palace), from the series Actualités (Current Events)
late 19th century
go to Une Emotion au Jardin des Plantes page
Honoré Daumier
Une Emotion au Jardin des Plantes
19th century
go to Grande course aux Portefeuilles (Great Portfolio Race), from La Caricature page
Auguste Desperret
J. J. Granville
Grande course aux Portefeuilles (Great Portfolio Race), from La Caricature
1830–35
go to Précautions inutiles (Unnecessary Precautions), from La Caricature page
Unknown (French, 19th century)
Précautions inutiles (Unnecessary Precautions), from La Caricature
1830–35
go to Projet d'un monument Expia-poire à élever sur la place de la révolution, précisément à la place où fut guillotiné Louis XVI, from La Caricature page
Charles Philipon
Projet d'un monument Expia-poire à élever sur la place de la révolution, précisément à la place où fut guillotiné Louis XVI, from La Caricature
7 July 1832
go to Untitled, published in La Caricature page
Auguste Desperret
Untitled, published in La Caricature
4 October 1832
go to La quadruple alliance. (The Quadruple Alliance.), published in La Caricature page
Benjamin Roubaud
La quadruple alliance. (The Quadruple Alliance.), published in La Caricature
4 September 1834
go to Le grand prix de vertu. (The Grand Prize for Virtue.), published in Le Charivari page
Unknown (French, 19th century)
Le grand prix de vertu. (The Grand Prize for Virtue.), published in Le Charivari
13 March 1834
go to Les trois parques (The Three Fates), published in La Caricature page
Unknown (French, 19th century)
Les trois parques (The Three Fates), published in La Caricature
20 March 1834
go to "Et tout d'un coup il se fit un grand tremblement á à la Bourse. ("Suddenly everything started shaking at the stock market.), from the series Résurrection de don Carlos (Resurrection of Don Carlos), published in La Caricature page
Benjamin Roubaud
"Et tout d'un coup il se fit un grand tremblement á à la Bourse. ("Suddenly everything started shaking at the stock market.), from the series Résurrection de don Carlos (Resurrection of Don Carlos), published in La Caricature
1830–35
go to Obligés d'apprendre à chanter la tyrolienne (Forced to learn how to sing the Tyrolean), from the series Actualités (Current Events), published in Le Charivari page
Paul Hadol
Obligés d'apprendre à chanter la tyrolienne (Forced to learn how to sing the Tyrolean), from the series Actualités (Current Events), published in Le Charivari
1 October 1867
go to Deux journaux qui se suivent quoique marchant en sens inverse. (-Two newspapers that follow each other, even though they are walking in opposite directions.), from the series Actualités (Current Events), published in Le Charivari page
Charles Vernier
Deux journaux qui se suivent quoique marchant en sens inverse. (-Two newspapers that follow each other, even though they are walking in opposite directions.), from the series Actualités (Current Events), published in Le Charivari
10 October 1849
go to Entrée de Napoléon Muzard. (Entrance of Napoleon Muzard.), from the series Au Bal de L'Opéra (At the Ball of the Opera), published in Le Charivari page
Charles Vernier
Entrée de Napoléon Muzard. (Entrance of Napoleon Muzard.), from the series Au Bal de L'Opéra (At the Ball of the Opera), published in Le Charivari
after 1841
go to Une Pastorale en 1865. (A Pastoral in 1865.), from the series Au Bal Masqué (At the Masquerade Ball), published in Le Charivari page
Edouard de Beaumont
Une Pastorale en 1865. (A Pastoral in 1865.), from the series Au Bal Masqué (At the Masquerade Ball), published in Le Charivari
4 February 1865
go to — Comment, antropophage….., tu te présentes dans une société comme celle-ci?.... (— How, cannibal….., do you dare present yourself in a society like this?....), from the series Al Bal Masqué (At the Masquerade Ball), published in Le Charivari page
Edouard de Beaumont
— Comment, antropophage….., tu te présentes dans une société comme celle-ci?.... (— How, cannibal….., do you dare present yourself in a society like this?....), from the series Al Bal Masqué (At the Masquerade Ball), published in Le Charivari
1843–66
go to Oh! ciel, quelles manières, pour une femme comme il faut!.. (Oh! heavens, what manners, for a woman with a sense of etiquette!.. ), from the series Au Bal Masqué (At the Masquerade Ball), published in Le Charivari page
Edouard de Beaumont
Oh! ciel, quelles manières, pour une femme comme il faut!.. (Oh! heavens, what manners, for a woman with a sense of etiquette!.. ), from the series Au Bal Masqué (At the Masquerade Ball), published in Le Charivari
1843–66
go to Il faut convenir que le Général donne des fêtes d'un luxe adriatique, (Admittedly the General’s parties have an Adriatic quality,), from the series Bèotisme Parisien (Parisian Dullness), published in Le Charivari page
Auguste Bourdet
Il faut convenir que le Général donne des fêtes d'un luxe adriatique, (Admittedly the General’s parties have an Adriatic quality,), from the series Bèotisme Parisien (Parisian Dullness), published in Le Charivari
3 June 1836
go to Monsieur, je voudrais avoir de la bière. (Sir, I would like to have a beer.), No. 8 from the series Bétises (Foolishness), published in Le Charivari page
Auguste Bourdet
Monsieur, je voudrais avoir de la bière. (Sir, I would like to have a beer.), No. 8 from the series Bétises (Foolishness), published in Le Charivari
before 1841
go to Prodige de L'ébénisterie. (The wonders of furniture-making.), from the series Croquis du Jour (Sketch of the Day), published in Le Charivari page
Charles Vernier
Prodige de L'ébénisterie. (The wonders of furniture-making.), from the series Croquis du Jour (Sketch of the Day), published in Le Charivari
21 July 1849
go to Löhnungstag (Pay Day), from the portfolio Im Schatten (In the Shadows) page
George Grosz
Löhnungstag (Pay Day), from the portfolio Im Schatten (In the Shadows)
1920–21
go to Plate 32, from Documents Decoratifs page
Alphonse Mucha
Plate 32, from Documents Decoratifs
1901
go to Folded Sheet, from the portfolio Sketches of Auden page
Henry Moore
Folded Sheet, from the portfolio Sketches of Auden
1974
go to Multitude I, from the portfolio Sketches of Auden page
