J. Platier
"Madame je voudrais une huitre vivante" (Madam I would like a living oyster), from the series Revue Comique (Comic Review)
after 1841
1 / 1
-
Artist
J. Platier
- Title "Madame je voudrais une huitre vivante" (Madam I would like a living oyster), from the series Revue Comique (Comic Review)
- Date after 1841
- Medium Lithograph
-
Dimensions
sheet | 12 5/8 x 9 13/16 in.
- Credit line Gift of Eric G. Carlson in honor of Professor Elizabeth C. Childs, 2000
- Object number WU 2000.0372
-
Technique
lithography
-
Work type
print
caricature
This artwork record may be incomplete or need refinement. Our staff actively researches the collection and revises records when new information is available. If you have questions or comments about this record, please contact us.
Related Works
go to "Dites donc Mlle. Agathe vous rappelez vous la fine matelotte, au Cadran bleu" (Say, Miss Agathe, do you remember the fine matelote, at the Cadran bleu), from the series Revue Comique (comical review) page
J. Platier
"Dites donc Mlle. Agathe vous rappelez vous la fine matelotte, au Cadran bleu" (Say, Miss Agathe, do you remember the fine matelote, at the Cadran bleu), from the series Revue Comique (comical review)
after 1841
go to Mr. le Commissaire (Mr. the Superintendent), from the series Le Bureau du Commissaire de Police (Office of the Police Superintendent) page
J. Platier
Mr. le Commissaire (Mr. the Superintendent), from the series Le Bureau du Commissaire de Police (Office of the Police Superintendent)
n.d.
go to Une visite chez le médecin (A Visit to the Doctor), from the series Revue Comique (Comical Review) page
J. Platier
Une visite chez le médecin (A Visit to the Doctor), from the series Revue Comique (Comical Review)
after 1841
go to Laissez venir à moi les petits enfants (Let the little children come to me), from the series Actualités (Current Events) page
J. Platier
Laissez venir à moi les petits enfants (Let the little children come to me), from the series Actualités (Current Events)
1830–35
go to Ah çà! vous aviez promis de ne commencer votre Blocus que le 16… (What! You promised not to start your blockade before the 16...), from the series Actualités (Current Events) page
J. Platier
Ah çà! vous aviez promis de ne commencer votre Blocus que le 16… (What! You promised not to start your blockade before the 16...), from the series Actualités (Current Events)
n.d.
go to M'ame Folichon, le médecin qui te soignes, (Mrs. Folichon, the doctor who treats you,), from the series Revue Comique (Comic Review) page
J. Platier
M'ame Folichon, le médecin qui te soignes, (Mrs. Folichon, the doctor who treats you,), from the series Revue Comique (Comic Review)
after 1841
go to Profils Contemporains (Contemporary Profiles) page
J. Platier
Profils Contemporains (Contemporary Profiles)
after 1841
go to Pu que six blancs et pas de pain! (Only six pennies and no bread!), from the series Revue Comique (comical review) page
J. Platier
Pu que six blancs et pas de pain! (Only six pennies and no bread!), from the series Revue Comique (comical review)
after 1841
go to Patience mon petit! (Be patient, little one!), from the series Actualités (Current Events) page
J. Platier
Patience mon petit! (Be patient, little one!), from the series Actualités (Current Events)
1830–35
go to Le Mari du bas-bleu, (The Blue-Stocking's Husband,), from the series Revue Comique (Comic Review) page
J. Platier
Le Mari du bas-bleu, (The Blue-Stocking's Husband,), from the series Revue Comique (Comic Review)
1837–39
go to "Qu'est-ce que vous avez là?" (What do you have here?), from the series Revue Comique (Comical Review) page
J. Platier
"Qu'est-ce que vous avez là?" (What do you have here?), from the series Revue Comique (Comical Review)
after 1841
go to Oh! Zoé je te reconnais bien là! (Oh! Zoe, I recognize you too well here!), from the series Revue Comique (Comical Review) page
J. Platier
Oh! Zoé je te reconnais bien là! (Oh! Zoe, I recognize you too well here!), from the series Revue Comique (Comical Review)
after 1841
go to Une Emotion au Jardin des Plantes page
Honoré Daumier
Une Emotion au Jardin des Plantes
19th century
go to Grande course aux Portefeuilles (Great Portfolio Race), from La Caricature page
Auguste Desperret
J. J. Granville
Grande course aux Portefeuilles (Great Portfolio Race), from La Caricature
1830–35
go to Précautions inutiles (Unnecessary Precautions), from La Caricature page
Unknown (French, 19th century)
Précautions inutiles (Unnecessary Precautions), from La Caricature
1830–35
go to Projet d'un monument Expia-poire à élever sur la place de la révolution, précisément à la place où fut guillotiné Louis XVI, from La Caricature page
Charles Philipon
Projet d'un monument Expia-poire à élever sur la place de la révolution, précisément à la place où fut guillotiné Louis XVI, from La Caricature
7 July 1832
go to Untitled, published in La Caricature page
Auguste Desperret
Untitled, published in La Caricature
4 October 1832
go to La quadruple alliance. (The Quadruple Alliance.), published in La Caricature page
Benjamin Roubaud
La quadruple alliance. (The Quadruple Alliance.), published in La Caricature
4 September 1834
go to Le grand prix de vertu. (The Grand Prize for Virtue.), published in Le Charivari page
Unknown (French, 19th century)
Le grand prix de vertu. (The Grand Prize for Virtue.), published in Le Charivari
13 March 1834
go to Les trois parques (The Three Fates), published in La Caricature page
Unknown (French, 19th century)
Les trois parques (The Three Fates), published in La Caricature
20 March 1834
go to "Et tout d'un coup il se fit un grand tremblement á à la Bourse. ("Suddenly everything started shaking at the stock market.), from the series Résurrection de don Carlos (Resurrection of Don Carlos), published in La Caricature page
Benjamin Roubaud
"Et tout d'un coup il se fit un grand tremblement á à la Bourse. ("Suddenly everything started shaking at the stock market.), from the series Résurrection de don Carlos (Resurrection of Don Carlos), published in La Caricature
1830–35
go to Obligés d'apprendre à chanter la tyrolienne (Forced to learn how to sing the Tyrolean), from the series Actualités (Current Events), published in Le Charivari page
Paul Hadol
Obligés d'apprendre à chanter la tyrolienne (Forced to learn how to sing the Tyrolean), from the series Actualités (Current Events), published in Le Charivari
1 October 1867
go to Deux journaux qui se suivent quoique marchant en sens inverse. (-Two newspapers that follow each other, even though they are walking in opposite directions.), from the series Actualités (Current Events), published in Le Charivari page
Charles Vernier
Deux journaux qui se suivent quoique marchant en sens inverse. (-Two newspapers that follow each other, even though they are walking in opposite directions.), from the series Actualités (Current Events), published in Le Charivari
10 October 1849
go to Entrée de Napoléon Muzard. (Entrance of Napoleon Muzard.), from the series Au Bal de L'Opéra (At the Ball of the Opera), published in Le Charivari page
Charles Vernier
Entrée de Napoléon Muzard. (Entrance of Napoleon Muzard.), from the series Au Bal de L'Opéra (At the Ball of the Opera), published in Le Charivari
after 1841
go to Une Pastorale en 1865. (A Pastoral in 1865.), from the series Au Bal Masqué (At the Masquerade Ball), published in Le Charivari page
Edouard de Beaumont
Une Pastorale en 1865. (A Pastoral in 1865.), from the series Au Bal Masqué (At the Masquerade Ball), published in Le Charivari
4 February 1865
go to — Comment, antropophage….., tu te présentes dans une société comme celle-ci?.... (— How, cannibal….., do you dare present yourself in a society like this?....), from the series Al Bal Masqué (At the Masquerade Ball), published in Le Charivari page
Edouard de Beaumont
— Comment, antropophage….., tu te présentes dans une société comme celle-ci?.... (— How, cannibal….., do you dare present yourself in a society like this?....), from the series Al Bal Masqué (At the Masquerade Ball), published in Le Charivari
1843–66
go to Oh! ciel, quelles manières, pour une femme comme il faut!.. (Oh! heavens, what manners, for a woman with a sense of etiquette!.. ), from the series Au Bal Masqué (At the Masquerade Ball), published in Le Charivari page
Edouard de Beaumont
Oh! ciel, quelles manières, pour une femme comme il faut!.. (Oh! heavens, what manners, for a woman with a sense of etiquette!.. ), from the series Au Bal Masqué (At the Masquerade Ball), published in Le Charivari
1843–66
go to Il faut convenir que le Général donne des fêtes d'un luxe adriatique, (Admittedly the General’s parties have an Adriatic quality,), from the series Bèotisme Parisien (Parisian Dullness), published in Le Charivari page
Auguste Bourdet
Il faut convenir que le Général donne des fêtes d'un luxe adriatique, (Admittedly the General’s parties have an Adriatic quality,), from the series Bèotisme Parisien (Parisian Dullness), published in Le Charivari
3 June 1836
go to Monsieur, je voudrais avoir de la bière. (Sir, I would like to have a beer.), No. 8 from the series Bétises (Foolishness), published in Le Charivari page
Auguste Bourdet
Monsieur, je voudrais avoir de la bière. (Sir, I would like to have a beer.), No. 8 from the series Bétises (Foolishness), published in Le Charivari
before 1841
go to Prodige de L'ébénisterie. (The wonders of furniture-making.), from the series Croquis du Jour (Sketch of the Day), published in Le Charivari page
Charles Vernier
Prodige de L'ébénisterie. (The wonders of furniture-making.), from the series Croquis du Jour (Sketch of the Day), published in Le Charivari
21 July 1849
go to Löhnungstag (Pay Day), from the portfolio Im Schatten (In the Shadows) page
George Grosz
Löhnungstag (Pay Day), from the portfolio Im Schatten (In the Shadows)
1920–21
go to Plate 32, from Documents Decoratifs page
Alphonse Mucha
Plate 32, from Documents Decoratifs
1901
go to Folded Sheet, from the portfolio Sketches of Auden page
Henry Moore
Folded Sheet, from the portfolio Sketches of Auden
1974
go to Multitude I, from the portfolio Sketches of Auden page
