Clément Pruche
La luxure. (Lust), from the series Les sept pêchés capitaux (The Seven Deadly Sins)
after 1841
1 / 1
-
Artist
Clément Pruche
(French, active 1831–1870)
- Title La luxure. (Lust), from the series Les sept pêchés capitaux (The Seven Deadly Sins)
- Date after 1841
- Medium Lithograph
-
Dimensions
sheet | 9 15/16 x 12 15/16 in.
- Credit line Gift of Eric G. Carlson in honor of Professor Elizabeth C. Childs, 2000
- Object number WU 2000.0411
-
Technique
lithography
-
Work type
print
caricature
Battle of Ideal vs. Real: The Figure in Nineteenth-Century Art
Mildred Lane Kemper Art Museum, Washington University in St. Louis, 05/06/2016 - 07/31/2016
This artwork record may be incomplete or need refinement. Our staff actively researches the collection and revises records when new information is available. If you have questions or comments about this record, please contact us.
Related Works
go to "Dites donc! dites donc! céleste Empereur!" (Let's say! Let's say! Celestial emperor!), from the series Actualités (Current Events), published in la Mode (Fashion) page
Clément Pruche
"Dites donc! dites donc! céleste Empereur!" (Let's say! Let's say! Celestial emperor!), from the series Actualités (Current Events), published in la Mode (Fashion)
1 May 1841
go to Voyez-vous, camarade, l'Europe est en fermentation….. (You see, comrade, Europe is in a state of fermentation…..), from the series Actualités (Current Events) page
Clément Pruche
Voyez-vous, camarade, l'Europe est en fermentation….. (You see, comrade, Europe is in a state of fermentation…..), from the series Actualités (Current Events)
1830–35
go to Bon! Les moutards en veulent aussi! quand on parle de guerre! (Well! The brats want some too! talking about war!), from the series Actualités (Current Events) page
Clément Pruche
Bon! Les moutards en veulent aussi! quand on parle de guerre! (Well! The brats want some too! talking about war!), from the series Actualités (Current Events)
1830–35
go to Mais dites donc papa? (But say Dad?), from the series Actualités (Current Events) page
Clément Pruche
Mais dites donc papa? (But say Dad?), from the series Actualités (Current Events)
1830–35
go to Eh! bonjour! mon cher,….toujours sur le pied de guerre?.... (Hey! hello! my dear,….always ready for war?....), from the series Actualités (Current Events) page
Clément Pruche
Eh! bonjour! mon cher,….toujours sur le pied de guerre?.... (Hey! hello! my dear,….always ready for war?....), from the series Actualités (Current Events)
n.d.
go to C'est mon précepteur ! qu'en dis-tu? hein! il est bon!!... (It's my preceptor! what do you think? eh! He is good!!...) from the series Le Miroir du Beau Monde (The Mirror of Polite Society) page
Clément Pruche
C'est mon précepteur ! qu'en dis-tu? hein! il est bon!!... (It's my preceptor! what do you think? eh! He is good!!...) from the series Le Miroir du Beau Monde (The Mirror of Polite Society)
after 1841
go to CONSTANTINE, 13 Octobre 1837. (CONSTANTINE, October 13, 1837) page
Clément Pruche
CONSTANTINE, 13 Octobre 1837. (CONSTANTINE, October 13, 1837)
after 1839
go to L'envie. (Envy), from the series Les Sept Pêchés Capitaux (The Seven Deadly Sins) page
Clément Pruche
L'envie. (Envy), from the series Les Sept Pêchés Capitaux (The Seven Deadly Sins)
after 1841
go to Vois à quelle pluie nous csommes exposés (Look at what kind of rain we are exposed), from the series Revue Politique (Political Review), published in La Mode page
Clément Pruche
Vois à quelle pluie nous csommes exposés (Look at what kind of rain we are exposed), from the series Revue Politique (Political Review), published in La Mode
5 October 1844
go to C'est comme moi mamezelle Durosier (It is like me, Missy Durosier,) page
Clément Pruche
C'est comme moi mamezelle Durosier (It is like me, Missy Durosier,)
after 1839
go to "Mon Papa! nous ne voulons plus faire 'portez armes!'" (Dad! we don't want to do "arms at the ready" anymore!), from the series Actualités (Current Events) page
Clément Pruche
"Mon Papa! nous ne voulons plus faire 'portez armes!'" (Dad! we don't want to do "arms at the ready" anymore!), from the series Actualités (Current Events)
n.d.
go to C'est bon pour plaisanter!!.... (It's fine to be joking!!....), from the series Actualités (Current Events) page
Clément Pruche
C'est bon pour plaisanter!!.... (It's fine to be joking!!....), from the series Actualités (Current Events)
n.d.
go to Les coucous (The Cuckoos), from the series Les Désagréments de Paris, No. 6 (The Inconvenience of Parisian Life, No. 6) page
Clément Pruche
Les coucous (The Cuckoos), from the series Les Désagréments de Paris, No. 6 (The Inconvenience of Parisian Life, No. 6)
after 1839
go to L'avarice. (Stinginess), from the series Les Sept Pêchés Capitaux (The Seven Deadly Sins) page
Clément Pruche
L'avarice. (Stinginess), from the series Les Sept Pêchés Capitaux (The Seven Deadly Sins)
n.d.
go to Une Dame du Comité D'élection Présentant aux Électeurs un Candidat Joli Garçon. (A lady from the election committee introducing to the voters a good looking candidate.), from the series Caricatures du Jour (Caricatures of the Day), published in La Mode page
Clément Pruche
Une Dame du Comité D'élection Présentant aux Électeurs un Candidat Joli Garçon. (A lady from the election committee introducing to the voters a good looking candidate.), from the series Caricatures du Jour (Caricatures of the Day), published in La Mode
3 July 1842
go to Tenez Mamezelle Pélagie!.... (Here Miss Pélagie!....) page
Clément Pruche
Tenez Mamezelle Pélagie!.... (Here Miss Pélagie!....)
after 1839
go to Voyez-vous, camarade, l'Europe est en fermentation….. (You see, comrade, Europe is in a state of fermentation…..), from the series Actualités (Current Events) page
Clément Pruche
Voyez-vous, camarade, l'Europe est en fermentation….. (You see, comrade, Europe is in a state of fermentation…..), from the series Actualités (Current Events)
1830–35
go to L'adoration du veau d'or, (The adoration of the golden calf), from the series Caricatures du Jour (Caricatures of the Day) page
Clément Pruche
L'adoration du veau d'or, (The adoration of the golden calf), from the series Caricatures du Jour (Caricatures of the Day)
after 1841
go to Une Emotion au Jardin des Plantes page
Honoré Daumier
Une Emotion au Jardin des Plantes
19th century
go to Grande course aux Portefeuilles (Great Portfolio Race), from La Caricature page
Auguste Desperret
J. J. Granville
Grande course aux Portefeuilles (Great Portfolio Race), from La Caricature
1830–35
go to Précautions inutiles (Unnecessary Precautions), from La Caricature page
Unknown (French, 19th century)
Précautions inutiles (Unnecessary Precautions), from La Caricature
1830–35
go to Projet d'un monument Expia-poire à élever sur la place de la révolution, précisément à la place où fut guillotiné Louis XVI, from La Caricature page
Charles Philipon
Projet d'un monument Expia-poire à élever sur la place de la révolution, précisément à la place où fut guillotiné Louis XVI, from La Caricature
7 July 1832
go to Untitled, published in La Caricature page
Auguste Desperret
Untitled, published in La Caricature
4 October 1832
go to La quadruple alliance. (The Quadruple Alliance.), published in La Caricature page
Benjamin Roubaud
La quadruple alliance. (The Quadruple Alliance.), published in La Caricature
4 September 1834
go to Le grand prix de vertu. (The Grand Prize for Virtue.), published in Le Charivari page
Unknown (French, 19th century)
Le grand prix de vertu. (The Grand Prize for Virtue.), published in Le Charivari
13 March 1834
go to Les trois parques (The Three Fates), published in La Caricature page
Unknown (French, 19th century)
Les trois parques (The Three Fates), published in La Caricature
20 March 1834
go to "Et tout d'un coup il se fit un grand tremblement á à la Bourse. ("Suddenly everything started shaking at the stock market.), from the series Résurrection de don Carlos (Resurrection of Don Carlos), published in La Caricature page
Benjamin Roubaud
"Et tout d'un coup il se fit un grand tremblement á à la Bourse. ("Suddenly everything started shaking at the stock market.), from the series Résurrection de don Carlos (Resurrection of Don Carlos), published in La Caricature
1830–35
go to Obligés d'apprendre à chanter la tyrolienne (Forced to learn how to sing the Tyrolean), from the series Actualités (Current Events), published in Le Charivari page
Paul Hadol
Obligés d'apprendre à chanter la tyrolienne (Forced to learn how to sing the Tyrolean), from the series Actualités (Current Events), published in Le Charivari
1 October 1867
go to Deux journaux qui se suivent quoique marchant en sens inverse. (-Two newspapers that follow each other, even though they are walking in opposite directions.), from the series Actualités (Current Events), published in Le Charivari page
Charles Vernier
Deux journaux qui se suivent quoique marchant en sens inverse. (-Two newspapers that follow each other, even though they are walking in opposite directions.), from the series Actualités (Current Events), published in Le Charivari
10 October 1849
go to Entrée de Napoléon Muzard. (Entrance of Napoleon Muzard.), from the series Au Bal de L'Opéra (At the Ball of the Opera), published in Le Charivari page
Charles Vernier
Entrée de Napoléon Muzard. (Entrance of Napoleon Muzard.), from the series Au Bal de L'Opéra (At the Ball of the Opera), published in Le Charivari
after 1841
go to Une Pastorale en 1865. (A Pastoral in 1865.), from the series Au Bal Masqué (At the Masquerade Ball), published in Le Charivari page
Edouard de Beaumont
Une Pastorale en 1865. (A Pastoral in 1865.), from the series Au Bal Masqué (At the Masquerade Ball), published in Le Charivari
4 February 1865
go to — Comment, antropophage….., tu te présentes dans une société comme celle-ci?.... (— How, cannibal….., do you dare present yourself in a society like this?....), from the series Al Bal Masqué (At the Masquerade Ball), published in Le Charivari page
Edouard de Beaumont
— Comment, antropophage….., tu te présentes dans une société comme celle-ci?.... (— How, cannibal….., do you dare present yourself in a society like this?....), from the series Al Bal Masqué (At the Masquerade Ball), published in Le Charivari
1843–66
go to Oh! ciel, quelles manières, pour une femme comme il faut!.. (Oh! heavens, what manners, for a woman with a sense of etiquette!.. ), from the series Au Bal Masqué (At the Masquerade Ball), published in Le Charivari page
Edouard de Beaumont
Oh! ciel, quelles manières, pour une femme comme il faut!.. (Oh! heavens, what manners, for a woman with a sense of etiquette!.. ), from the series Au Bal Masqué (At the Masquerade Ball), published in Le Charivari
1843–66
go to Il faut convenir que le Général donne des fêtes d'un luxe adriatique, (Admittedly the General’s parties have an Adriatic quality,), from the series Bèotisme Parisien (Parisian Dullness), published in Le Charivari page
Auguste Bourdet
Il faut convenir que le Général donne des fêtes d'un luxe adriatique, (Admittedly the General’s parties have an Adriatic quality,), from the series Bèotisme Parisien (Parisian Dullness), published in Le Charivari
3 June 1836
go to Monsieur, je voudrais avoir de la bière. (Sir, I would like to have a beer.), No. 8 from the series Bétises (Foolishness), published in Le Charivari page
Auguste Bourdet
Monsieur, je voudrais avoir de la bière. (Sir, I would like to have a beer.), No. 8 from the series Bétises (Foolishness), published in Le Charivari
before 1841
go to Prodige de L'ébénisterie. (The wonders of furniture-making.), from the series Croquis du Jour (Sketch of the Day), published in Le Charivari page
Charles Vernier
Prodige de L'ébénisterie. (The wonders of furniture-making.), from the series Croquis du Jour (Sketch of the Day), published in Le Charivari
21 July 1849
go to Löhnungstag (Pay Day), from the portfolio Im Schatten (In the Shadows) page
George Grosz
Löhnungstag (Pay Day), from the portfolio Im Schatten (In the Shadows)
1920–21
go to Plate 32, from Documents Decoratifs page
Alphonse Mucha
Plate 32, from Documents Decoratifs
1901
go to Folded Sheet, from the portfolio Sketches of Auden page
Henry Moore
Folded Sheet, from the portfolio Sketches of Auden
1974
go to Multitude I, from the portfolio Sketches of Auden page
