Max Bill
XIV, from the portfolio Max Bill 16 Constellations
1974
1 / 1
-
Artist
Max Bill
(Swiss, 1908–1994)
- Title XIV, from the portfolio Max Bill 16 Constellations
- Date 1974
- Medium Color lithograph
- Edition description 4/25
-
Dimensions
sheet | 20 x 14 in.
- Credit line Gift of Arthur and Sheila Prensky, 2004
- Object number WU 2004.0011.0014
-
Technique
lithography
-
Work type
print
Elusive Form: Color in Space
Mildred Lane Kemper Art Museum, Washington University in St. Louis, 01/18/2023 - 04/09/2023
Postwar Prints and Multiples: Investigating the Collection
Mildred Lane Kemper Art Museum, Washington University in St. Louis, 02/02/2018 - 04/16/2018
Gesture, Scrape, Combine, Calculate: Postwar Abstraction from the Permanent Collection
Mildred Lane Kemper Art Museum, Washington University in St. Louis, 08/20/2010 - 09/20/2010
Models and Prototypes
Mildred Lane Kemper Art Museum, Washington University in St. Louis, 10/25/2006 - 12/31/2006
4/13/2004
Dr. Arthur Prensky
Inscription Bottom in graphite: “IV/XXV (XIV) bill”
This artwork record may be incomplete or need refinement. Our staff actively researches the collection and revises records when new information is available. If you have questions or comments about this record, please contact us.
Related Works
go to I, from the portfolio Max Bill 16 Constellations page
Max Bill
I, from the portfolio Max Bill 16 Constellations
1974
go to VII, from the portfolio Max Bill 16 Constellations page
Max Bill
VII, from the portfolio Max Bill 16 Constellations
1974
go to II, from the portfolio Max Bill 16 Constellations page
Max Bill
II, from the portfolio Max Bill 16 Constellations
1974
go to VIII, from the portfolio Max Bill 16 Constellations page
Max Bill
VIII, from the portfolio Max Bill 16 Constellations
1974
go to XII, from the portfolio Max Bill 16 Constellations page
Max Bill
XII, from the portfolio Max Bill 16 Constellations
1974
go to III, from the portfolio Max Bill 16 Constellations page
Max Bill
III, from the portfolio Max Bill 16 Constellations
1974
go to XVI, from the portfolio Max Bill 16 Constellations page
Max Bill
XVI, from the portfolio Max Bill 16 Constellations
1974
go to VI, from the portfolio Max Bill 16 Constellations page
Max Bill
VI, from the portfolio Max Bill 16 Constellations
1974
go to IX, from the portfolio Max Bill 16 Constellations page
Max Bill
IX, from the portfolio Max Bill 16 Constellations
1974
go to XI, from the portfolio Max Bill 16 Constellations page
Max Bill
XI, from the portfolio Max Bill 16 Constellations
1974
go to XV, from the portfolio Max Bill 16 Constellations page
Max Bill
XV, from the portfolio Max Bill 16 Constellations
1974
go to IV, from the portfolio Max Bill 16 Constellations page
Max Bill
IV, from the portfolio Max Bill 16 Constellations
1974
go to V, from the portfolio Max Bill 16 Constellations page
Max Bill
V, from the portfolio Max Bill 16 Constellations
1974
go to X, from the portfolio Max Bill 16 Constellations page
Max Bill
X, from the portfolio Max Bill 16 Constellations
1974
go to XIII, from the portfolio Max Bill 16 Constellations page
Max Bill
XIII, from the portfolio Max Bill 16 Constellations
1974
go to Benia Krik, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part page
R. B. Kitaj
Benia Krik, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969
go to London by Night, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part page
R. B. Kitaj
London by Night, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969
go to XYZ Photo Eye, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part page
R. B. Kitaj
XYZ Photo Eye, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969
go to Hollywood wie es wirklich ist, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part page
R. B. Kitaj
Hollywood wie es wirklich ist, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969
go to The Tower, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part page
R. B. Kitaj
The Tower, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969
go to O'Neill, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part page
R. B. Kitaj
O'Neill, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969
go to Max and the White Phagocytes, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part page
R. B. Kitaj
Max and the White Phagocytes, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969
go to Pride of the Yankees, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part page
R. B. Kitaj
Pride of the Yankees, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969
go to How to Read, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part page
R. B. Kitaj
How to Read, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969
go to Frontispiece: Horizon Blitz, from the portfolio Struggle in the West/The Bombing of London page
R. B. Kitaj
Frontispiece: Horizon Blitz, from the portfolio Struggle in the West/The Bombing of London
1967
go to Title Page, from the portfolio Struggle in the West/The Bombing of London page
R. B. Kitaj
Title Page, from the portfolio Struggle in the West/The Bombing of London
1967
go to Bullets die Alte Zeit, from the portfolio Struggle in the West/The Bombing of London page
R. B. Kitaj
Bullets die Alte Zeit, from the portfolio Struggle in the West/The Bombing of London
1969
go to Safeguarding of Life in Theatres, from the portfolio Struggle in the West/The Bombing of London page
R. B. Kitaj
Safeguarding of Life in Theatres, from the portfolio Struggle in the West/The Bombing of London
1969
go to Little Italy, from the portfolio City-Scapes page
Charles Bell
Little Italy, from the portfolio City-Scapes
1979
go to Untitled (Factory in a Landscape) page
Joseph Jones
Untitled (Factory in a Landscape)
20th century
go to Thin Lipped Armourer II, from the portfolio Sketches of Auden page
Henry Moore
Thin Lipped Armourer II, from the portfolio Sketches of Auden
1974
go to Lullaby Sketches, from the portfolio Sketches of Auden page
Henry Moore
Lullaby Sketches, from the portfolio Sketches of Auden
1974
go to Untitled (Wash Forms), from A Suite of Ten Lithographs page
Philip Guston
Untitled (Wash Forms), from A Suite of Ten Lithographs
1966
Related Content
go to Postwar Prints and Multiples: Investigating the Collection page
Exhibitions
Postwar Prints and Multiples: Investigating the Collection
February 02, 2018–April 16, 2018
go to Elusive Form: Color in Space page
Exhibitions