Keith Haring
Pop Shop (Quad III)
1989
1 / 1
-
Artist
Keith Haring
(American, 1958–1990)
- Title Pop Shop (Quad III)
- Date 1989
- Medium Screenprint
- Edition description PP 2/10
-
Dimensions
image | 11 3/8 x 14 1/2 in.
sheet | 13 3/8 x 16 1/2 in.
matted | 16 x 22 in.
- Credit line Gift of Arthur and Shela Prensky, 2006
- Object number WU 2006.0011.0004.0002
-
Work type
print
-
Theme
Gender and Sexuality
(Un)masking Health: Counter Perspectives
Mildred Lane Kemper Art Museum, Washington University in St. Louis, 01/19/2022 - 07/25/2022
Keith Haring: Radiant Gambit
World Chess Hall of Fame, 11/19/2020 - 05/16/2021
Relationships and Representation: Perspectives on Social Justice Work
Mildred Lane Kemper Art Museum, Washington University in St. Louis, 09/11/2015 - 01/04/2016
11/26/2007
Dr. Arthur Prensky
Inscription Signed, dated, and numbered sideways in right margin in pencil: PP 2/10 K. Haring '89 [symbol of a cross in a circle]
Mark Embossed blindstamp at LLC of sheet: image of a gecko
This artwork record may be incomplete or need refinement. Our staff actively researches the collection and revises records when new information is available. If you have questions or comments about this record, please contact us.
Related Works
go to Shira and Sarah, from the portfolio Every breath we drew page
Jess T. Dugan
Shira and Sarah, from the portfolio Every breath we drew
2020, published 2022
go to Early morning light, Boston, from the portfolio Every breath we drew page
Jess T. Dugan
Early morning light, Boston, from the portfolio Every breath we drew
2020, published 2022
go to World Body Building Guild (W. B. B. G.), Brooklyn, New York, from the portfolio Groups in America page
Neal Slavin
World Body Building Guild (W. B. B. G.), Brooklyn, New York, from the portfolio Groups in America
1979
go to Untitled (In a Dream You Saw a Way to Survive and You Were Full of Joy) page
Jenny Holzer
Untitled (In a Dream You Saw a Way to Survive and You Were Full of Joy)
1983–85
go to Untitled (Men Don't Protect You Anymore) page
Jenny Holzer
Untitled (Men Don't Protect You Anymore)
1983–85
go to Self-portrait (blue room), from the portfolio Every breath we drew page
Jess T. Dugan
Self-portrait (blue room), from the portfolio Every breath we drew
2021, published 2022
go to Collin at sunset, from the portfolio Every breath we drew page
Jess T. Dugan
Collin at sunset, from the portfolio Every breath we drew
2020, published 2022
go to Tulips, from the portfolio Every breath we drew page
Jess T. Dugan
Tulips, from the portfolio Every breath we drew
2020, published 2022
go to Cure/Heal, from the portfolio 10: Artist as Catalyst page
Lorna Simpson
Cure/Heal, from the portfolio 10: Artist as Catalyst
published 1992
go to Benia Krik, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part page
R. B. Kitaj
Benia Krik, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969
go to London by Night, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part page
R. B. Kitaj
London by Night, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969
go to XYZ Photo Eye, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part page
R. B. Kitaj
XYZ Photo Eye, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969
go to Hollywood wie es wirklich ist, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part page
R. B. Kitaj
Hollywood wie es wirklich ist, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969
go to The Tower, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part page
R. B. Kitaj
The Tower, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969
go to O'Neill, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part page
R. B. Kitaj
O'Neill, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969
go to Max and the White Phagocytes, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part page
R. B. Kitaj
Max and the White Phagocytes, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969
go to Pride of the Yankees, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part page
R. B. Kitaj
Pride of the Yankees, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969
go to How to Read, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part page
R. B. Kitaj
How to Read, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969
go to Frontispiece: Horizon Blitz, from the portfolio Struggle in the West/The Bombing of London page
R. B. Kitaj
Frontispiece: Horizon Blitz, from the portfolio Struggle in the West/The Bombing of London
1967
go to Title Page, from the portfolio Struggle in the West/The Bombing of London page
R. B. Kitaj
Title Page, from the portfolio Struggle in the West/The Bombing of London
1967
go to Bullets die Alte Zeit, from the portfolio Struggle in the West/The Bombing of London page
R. B. Kitaj
Bullets die Alte Zeit, from the portfolio Struggle in the West/The Bombing of London
1969
go to Safeguarding of Life in Theatres, from the portfolio Struggle in the West/The Bombing of London page
R. B. Kitaj
Safeguarding of Life in Theatres, from the portfolio Struggle in the West/The Bombing of London
1969
go to Little Italy, from the portfolio City-Scapes page
Charles Bell
Little Italy, from the portfolio City-Scapes
1979Related Content
go to (Un)masking Health: Counter Perspectives page
Exhibitions