![image alt](https://kemper.qi-cms.com/website/media/w800/permanent_2010_2019/2014_0009.tif.jpg)
Nicole Eisenman
Tea Party
2012
![image alt](https://kemper.qi-cms.com/website/media/w1500/permanent_2010_2019/2014_0009.tif.jpg)
1 / 1
-
Artist
Nicole Eisenman
(American, b. France, 1965)
- Title Tea Party
- Date 2012
- Medium 2-color lithograph
- Edition description 4/25
-
Dimensions
image | 32 x 22 1/2 in.
sheet | 48 3/4 x 37 1/8 in.
- Credit line University purchase, Arthur L. and Sheila Prensky Fund and Bixby Fund, 2014
- Object number WU 2014.0009
-
Technique
lithography
-
Work type
print
-
Theme
Activism and Protest
11/5/2014 (Date received at KAM)
Andrew Mockler, Jungle Press Editions (Brooklyn, New York)
This artwork record may be incomplete or need refinement. Our staff actively researches the collection and revises records when new information is available. If you have questions or comments about this record, please contact us.
Related Works
go to Lotto: The American Dream, from the portfolio 10: Artist as Catalyst page
![1994_07_02.jpg](https://kemper.qi-cms.com/website/media/w500/permanent_1990_1999/1994_07_02.jpg)
Luis Cruz Azaceta
Lotto: The American Dream, from the portfolio 10: Artist as Catalyst
c. 1992
go to Arrest of a demonstrator in Birmingham, Alabama page
![2012_0010_0004.tif](https://kemper.qi-cms.com/website/media/w500/permanent_2010_2019/2012_0010_0004.tif.jpg)
Bruce Davidson
Arrest of a demonstrator in Birmingham, Alabama
1963, printed later
go to Beratung (Conspirators), from the series Weavers' Revolt page
![1980_7_11.jpg](https://kemper.qi-cms.com/website/media/w500/permanent_1980_1989/1980_7_11.jpg)
Käthe Kollwitz
Beratung (Conspirators), from the series Weavers' Revolt
1898
go to The Scarlet Letter—The Prison Door (after Nathaniel Hawthorne) page
![1993_25.tif](https://kemper.qi-cms.com/website/media/w500/permanent_1990_1999/1993_25.tif.jpg)
Tim Rollins
Kids of Survival (K.O.S.)
The Scarlet Letter—The Prison Door (after Nathaniel Hawthorne)
1992–93
go to Interrogation, from the portfolio 10: Artist as Catalyst page
![1994_07_03.jpg](https://kemper.qi-cms.com/website/media/w500/permanent_1990_1999/1994_07_03.jpg)
Leon Golub
Interrogation, from the portfolio 10: Artist as Catalyst
c. 1992
go to Cure/Heal, from the portfolio 10: Artist as Catalyst page
![1994_07_10.tif](https://kemper.qi-cms.com/website/media/w500/permanent_1990_1999/1994_07_10.tif.jpg)
Lorna Simpson
Cure/Heal, from the portfolio 10: Artist as Catalyst
published 1992
go to Lucha por el carbón (Fighting for Coal) page
![1983_5_5.jpg](https://kemper.qi-cms.com/website/media/w500/permanent_1980_1989/1983_5_5.jpg)
Leopoldo Méndez
Lucha por el carbón (Fighting for Coal)
1944
go to Selections from "The Survival Series" page
![1991_19.tif](https://kemper.qi-cms.com/website/media/w500/permanent_1990_1999/1991_19.tif.jpg)
Jenny Holzer
Selections from "The Survival Series"
1983–84
go to Telling Many Magpies, Telling Black Wolf, Telling Hachivi page
![1992_21.tif](https://kemper.qi-cms.com/website/media/w500/permanent_1990_1999/1992_21.tif.jpg)
Hock E Aye Vi Edgar Heap of Birds
Telling Many Magpies, Telling Black Wolf, Telling Hachivi
1989
go to Thurgood in the Hour of Chaos, from the portfolio America America page
![2013_0001_0006.tif](https://kemper.qi-cms.com/website/media/w500/permanent_2010_2019/2013_0001_0006.tif.jpg)
Rashid Johnson
Thurgood in the Hour of Chaos, from the portfolio America America
2009
go to Kein Hahn kräht nach ihnen (Nobody Cares about Them) page
![3800.jpg](https://kemper.qi-cms.com/website/media/w500/permanent_0_4571/3800.jpg)
George Grosz
Kein Hahn kräht nach ihnen (Nobody Cares about Them)
1920
go to Benia Krik, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part page
![1979_17_19.jpg](https://kemper.qi-cms.com/website/media/w500/permanent_1977_1979/1979_17_19.jpg)
R. B. Kitaj
Benia Krik, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969
go to London by Night, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part page
![1979_17_29.jpg](https://kemper.qi-cms.com/website/media/w500/permanent_1977_1979/1979_17_29.jpg)
R. B. Kitaj
London by Night, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969
go to XYZ Photo Eye, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part page
![1979_17_32.jpg](https://kemper.qi-cms.com/website/media/w500/permanent_1977_1979/1979_17_32.jpg)
R. B. Kitaj
XYZ Photo Eye, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969
go to Hollywood wie es wirklich ist, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part page
![1979_17_37.jpg](https://kemper.qi-cms.com/website/media/w500/permanent_1977_1979/1979_17_37.jpg)
R. B. Kitaj
Hollywood wie es wirklich ist, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969
go to The Tower, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part page
![1979_17_38.jpg](https://kemper.qi-cms.com/website/media/w500/permanent_1977_1979/1979_17_38.jpg)
R. B. Kitaj
The Tower, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969
go to O'Neill, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part page
![1979_17_39.jpg](https://kemper.qi-cms.com/website/media/w500/permanent_1977_1979/1979_17_39.jpg)
R. B. Kitaj
O'Neill, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969
go to Max and the White Phagocytes, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part page
![1979_17_41.jpg](https://kemper.qi-cms.com/website/media/w500/permanent_1977_1979/1979_17_41.jpg)
R. B. Kitaj
Max and the White Phagocytes, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969
go to Pride of the Yankees, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part page
![1979_17_44.jpg](https://kemper.qi-cms.com/website/media/w500/permanent_1977_1979/1979_17_44.jpg)
R. B. Kitaj
Pride of the Yankees, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969
go to How to Read, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part page
![1979_17_45.jpg](https://kemper.qi-cms.com/website/media/w500/permanent_1977_1979/1979_17_45.jpg)
R. B. Kitaj
How to Read, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969
go to Frontispiece: Horizon Blitz, from the portfolio Struggle in the West/The Bombing of London page
![1979_20a.jpg](https://kemper.qi-cms.com/website/media/w500/permanent_1977_1979/1979_20a.jpg)
R. B. Kitaj
Frontispiece: Horizon Blitz, from the portfolio Struggle in the West/The Bombing of London
1967
go to Title Page, from the portfolio Struggle in the West/The Bombing of London page
![1979_20ax.jpg](https://kemper.qi-cms.com/website/media/w500/permanent_1977_1979/1979_20ax.jpg)
R. B. Kitaj
Title Page, from the portfolio Struggle in the West/The Bombing of London
1967
go to Bullets die Alte Zeit, from the portfolio Struggle in the West/The Bombing of London page
![1979_20b.jpg](https://kemper.qi-cms.com/website/media/w500/permanent_1977_1979/1979_20b.jpg)
R. B. Kitaj
Bullets die Alte Zeit, from the portfolio Struggle in the West/The Bombing of London
1969
go to Safeguarding of Life in Theatres, from the portfolio Struggle in the West/The Bombing of London page
![1979_20g.jpg](https://kemper.qi-cms.com/website/media/w500/permanent_1977_1979/1979_20g.jpg)
R. B. Kitaj
Safeguarding of Life in Theatres, from the portfolio Struggle in the West/The Bombing of London
1969
go to Little Italy, from the portfolio City-Scapes page
![1980_12_1b.jpg](https://kemper.qi-cms.com/website/media/w500/permanent_1980_1989/1980_12_1b.jpg)
Charles Bell
Little Italy, from the portfolio City-Scapes
1979
go to Löhnungstag (Pay Day), from the portfolio Im Schatten (In the Shadows) page
![1980_7_6.tif](https://kemper.qi-cms.com/website/media/w500/permanent_1980_1989/1980_7_6.tif.jpg)
George Grosz
Löhnungstag (Pay Day), from the portfolio Im Schatten (In the Shadows)
1920–21
go to Plate 32, from Documents Decoratifs page
![1981_19_2.jpg](https://kemper.qi-cms.com/website/media/w500/permanent_1980_1989/1981_19_2.jpg)
Alphonse Mucha
Plate 32, from Documents Decoratifs
1901
go to Folded Sheet, from the portfolio Sketches of Auden page
![1983_19_19.jpg](https://kemper.qi-cms.com/website/media/w500/permanent_1980_1989/1983_19_19.jpg)
Henry Moore
Folded Sheet, from the portfolio Sketches of Auden
1974
go to Multitude I, from the portfolio Sketches of Auden page
![1983_19_4.jpg](https://kemper.qi-cms.com/website/media/w500/permanent_1980_1989/1983_19_4.jpg)
Henry Moore
Multitude I, from the portfolio Sketches of Auden
1974Related Content
go to Nicole Eisenman, Tea Party, 2012 page
![2014_0009.tif](https://kemper.qi-cms.com/website/media/w500/permanent_2010_2019/2014_0009.tif.jpg)
Essays