Stephanie Syjuco
Stone Age Serenity: General Clippings [CSST.005.12]
2023
On View in Works on Paper Gallery
1 / 1
-
Artist
Stephanie Syjuco
(American, b. Philippines 1974)
- Title Stone Age Serenity: General Clippings [CSST.005.12]
- Date 2023
- Medium Relief with screen print, pigment print, transfer, tape, and scored paper on Coventry Rag
- Edition description BAT (ed. 10)
-
Dimensions
unframed | 23 x 33 in.
- Credit line Gift of Island Press, 2024
- Object number WU 2024.0006.0001.0001
-
Technique
relief printing
screen printing
pigment processes
-
Work type
print
-
Currently on View
Works on Paper Gallery
Printmaking and the US Political Landscape, 1968–present
Mildred Lane Kemper Art Museum, Washington University in St. Louis, 12/06/2024
This artwork record may be incomplete or need refinement. Our staff actively researches the collection and revises records when new information is available. If you have questions or comments about this record, please contact us.
Related Works
go to Sensitively Filmed: 1972.3 [CSST.023.06] page
Stephanie Syjuco
Sensitively Filmed: 1972.3 [CSST.023.06]
2023
go to This Remarkably Beautiful Photograph: 1971 [CSST.023.01] page
Stephanie Syjuco
This Remarkably Beautiful Photograph: 1971 [CSST.023.01]
2023
go to Benia Krik, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part page
R. B. Kitaj
Benia Krik, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969
go to London by Night, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part page
R. B. Kitaj
London by Night, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969
go to XYZ Photo Eye, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part page
R. B. Kitaj
XYZ Photo Eye, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969
go to Hollywood wie es wirklich ist, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part page
R. B. Kitaj
Hollywood wie es wirklich ist, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969
go to The Tower, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part page
R. B. Kitaj
The Tower, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969
go to O'Neill, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part page
R. B. Kitaj
O'Neill, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969
go to Max and the White Phagocytes, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part page
R. B. Kitaj
Max and the White Phagocytes, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969
go to Pride of the Yankees, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part page
R. B. Kitaj
Pride of the Yankees, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969
go to How to Read, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part page
R. B. Kitaj
How to Read, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969
go to Frontispiece: Horizon Blitz, from the portfolio Struggle in the West/The Bombing of London page
R. B. Kitaj
Frontispiece: Horizon Blitz, from the portfolio Struggle in the West/The Bombing of London
1967
go to Title Page, from the portfolio Struggle in the West/The Bombing of London page
R. B. Kitaj
Title Page, from the portfolio Struggle in the West/The Bombing of London
1967
go to Bullets die Alte Zeit, from the portfolio Struggle in the West/The Bombing of London page
R. B. Kitaj
Bullets die Alte Zeit, from the portfolio Struggle in the West/The Bombing of London
1969
go to Safeguarding of Life in Theatres, from the portfolio Struggle in the West/The Bombing of London page
R. B. Kitaj
Safeguarding of Life in Theatres, from the portfolio Struggle in the West/The Bombing of London
1969
go to Little Italy, from the portfolio City-Scapes page
Charles Bell
Little Italy, from the portfolio City-Scapes
1979
go to Sayed, from the series Our House is on Fire page
Shirin Neshat
Sayed, from the series Our House is on Fire
2013
go to America America, from the portfolio America America page
Papo Colo
America America, from the portfolio America America
2009
go to L.A. Uprising, Catalina Rooftop, 1992 page
Catherine Opie
L.A. Uprising, Catalina Rooftop, 1992
1992, printed 2024
go to Ghada, from the series Our House is on Fire page
Shirin Neshat
Ghada, from the series Our House is on Fire
2013
go to Edward Weston, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part page
R. B. Kitaj
Edward Weston, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969
go to Vampyr, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part page
R. B. Kitaj
Vampyr, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969
go to Hanging in Chains, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part page
R. B. Kitaj
Hanging in Chains, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969
go to Edward Hopper, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part page
R. B. Kitaj
Edward Hopper, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969Related Content
go to Printmaking and the US Political Landscape, 1968–present page
Exhibitions