Utagawa Ichiryusai Hiroshige
Yabuhara Torii-toge Suzuri-shimizu (Ink-stone Spring on Torii Pass, Yabuhara), from the series Kisokaidô (The Kiso Highway)
19th century
1 / 1
-
Artist
Utagawa Ichiryusai Hiroshige
(Japanese, 1797–1858)
- Title Yabuhara Torii-toge Suzuri-shimizu (Ink-stone Spring on Torii Pass, Yabuhara), from the series Kisokaidô (The Kiso Highway)
- Date 19th century
- Medium Color woodblock print
-
Dimensions
unframed | 8 9/16 x 13 9/16 in.
- Credit line Gift of Halsey C. Ives
- Object number WU 2230
Opening Exhibition of Mark C. Steinberg Memorial Hall
Mildred Lane Kemper Art Museum, Washington University in St. Louis, 04/29/1960
before 1940
Halsey C. Ives
This artwork record may be incomplete or need refinement. Our staff actively researches the collection and revises records when new information is available. If you have questions or comments about this record, please contact us.
Related Works
go to Arashiyama manka (Cherry Blossoms in Full Bloom at Arashiyama), from the series Kyôto meisho no uchi (Famous Palces in Kyoto) page
Utagawa Ichiryusai Hiroshige
Arashiyama manka (Cherry Blossoms in Full Bloom at Arashiyama), from the series Kyôto meisho no uchi (Famous Palces in Kyoto)
c. 1834
go to Two Figures by a Stream page
Utagawa Ichiryusai Hiroshige
Two Figures by a Stream
19th century
go to Station No. 36 on the Tokaido Road: Goyu page
Utagawa Ichiryusai Hiroshige
Station No. 36 on the Tokaido Road: Goyu
1834
go to Yamashita-Cho, Hibaya, Soto Sakurada, from Meisho Edo page
Utagawa Ichiryusai Hiroshige
Yamashita-Cho, Hibaya, Soto Sakurada, from Meisho Edo
1857
go to Station 3 on the Tokaido Road (or Station 4) page
Utagawa Ichiryusai Hiroshige
Station 3 on the Tokaido Road (or Station 4)
1834
go to Benia Krik, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part page
R. B. Kitaj
Benia Krik, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969
go to London by Night, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part page
R. B. Kitaj
London by Night, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969
go to XYZ Photo Eye, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part page
R. B. Kitaj
XYZ Photo Eye, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969
go to Hollywood wie es wirklich ist, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part page
R. B. Kitaj
Hollywood wie es wirklich ist, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969
go to The Tower, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part page
R. B. Kitaj
The Tower, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969
go to O'Neill, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part page
R. B. Kitaj
O'Neill, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969
go to Max and the White Phagocytes, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part page
R. B. Kitaj
Max and the White Phagocytes, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969
go to Pride of the Yankees, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part page
R. B. Kitaj
Pride of the Yankees, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969
go to How to Read, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part page
R. B. Kitaj
How to Read, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969
go to Frontispiece: Horizon Blitz, from the portfolio Struggle in the West/The Bombing of London page
R. B. Kitaj
Frontispiece: Horizon Blitz, from the portfolio Struggle in the West/The Bombing of London
1967
go to Title Page, from the portfolio Struggle in the West/The Bombing of London page
R. B. Kitaj
Title Page, from the portfolio Struggle in the West/The Bombing of London
1967
go to Bullets die Alte Zeit, from the portfolio Struggle in the West/The Bombing of London page
R. B. Kitaj
Bullets die Alte Zeit, from the portfolio Struggle in the West/The Bombing of London
1969
go to Safeguarding of Life in Theatres, from the portfolio Struggle in the West/The Bombing of London page
R. B. Kitaj
Safeguarding of Life in Theatres, from the portfolio Struggle in the West/The Bombing of London
1969
go to Little Italy, from the portfolio City-Scapes page
Charles Bell
Little Italy, from the portfolio City-Scapes
1979
go to Head of Worker, from the series Bayonne page
Komar and Melamid
Head of Worker, from the series Bayonne
1989
go to Anger, from the portfolio The Seven Deadly Sins page
William S. Burroughs
Anger, from the portfolio The Seven Deadly Sins
1991
go to Lust, from the portfolio The Seven Deadly Sins page
William S. Burroughs
Lust, from the portfolio The Seven Deadly Sins
1991
go to "Mes chers petits Parisiens..." ("My dear little Parisians..."), from La Charge page
Alfred Le Petit
"Mes chers petits Parisiens..." ("My dear little Parisians..."), from La Charge
n.d.
go to Ça glisse tout seul maintenant (She is Skating through Beautifully Now) page
Gustave Frison
Ça glisse tout seul maintenant (She is Skating through Beautifully Now)
1850
go to – R[i]entière, dites-vous?" (– A person who is independently wealthy, you say?), from the series A la mer (By the Sea) page
Alfred Grévin
– R[i]entière, dites-vous?" (– A person who is independently wealthy, you say?), from the series A la mer (By the Sea)
n.d.
go to – Monsieur, je vous prie très-sérieusement de passer votre chemin; je suis une honnête femme! (– Sir, I beg you very seriously to pass me by and go your way; I am an honest woman!), from the series Fantaisies Parisiennes (Parisian Fantasies) page
Alfred Grévin
– Monsieur, je vous prie très-sérieusement de passer votre chemin; je suis une honnête femme! (– Sir, I beg you very seriously to pass me by and go your way; I am an honest woman!), from the series Fantaisies Parisiennes (Parisian Fantasies)
n.d.
go to Dans Breda-Street (On Breda-Street), from the series Fantaisies Parisiennes (Parisian Fantasies) page
Alfred Grévin
Dans Breda-Street (On Breda-Street), from the series Fantaisies Parisiennes (Parisian Fantasies)
n.d.
go to – Si je connais Brrrébant! Il me demande si je connais Brrrébant! (– If I know Brrrebant! He's asking me if I know Brrrebant!), from the series Fantaisies Parisiennes (Parisian Fantasies) page
Alfred Grévin
– Si je connais Brrrébant! Il me demande si je connais Brrrébant! (– If I know Brrrebant! He's asking me if I know Brrrebant!), from the series Fantaisies Parisiennes (Parisian Fantasies)
n.d.
go to Lucha por el carbón (Fighting for Coal) page
