Naum Gabo
Linear Construction in Space No.1 (Variation)
1942–43
On View in Gertrude Bernoudy Gallery, Room 3
In the immediate aftermath of the Russian Revolution, Russian Constructivists sought to align their artistic practices with the revolutionary government that was engendering hope for a more just society. Excited by industrialization and new technologies, avant-garde artists began to think of art and artistic production as a way of constructing new worlds. Much emphasis was put on objects that shape architectural space and, by extension, societal conventions. Antoine Pevsner’s Bas-relief en creux (Sunken Bas Relief) (WU 3776) and Naum Gabo’s Linear Construction in Space No. 1 (Variation) are rooted in this tradition. These artists, who were also brothers, understood time, space, light, and movement to be integral elements of modern sculpture. Pevsner’s structure is reminiscent of an engine or a mechanical apparatus. Inside the brass and bronze box intersecting axes of two folded metallic sheets culminate in a center cross with a dynamic forward thrust. Gabo’s work is also conceived around a central opening, incorporating the void as a material element of the sculpture. The ultramodern, translucent materials he employs—Perspex acrylic for the frame supporting stretched nylon monofilaments—work to dematerialize mass and surface while also underscoring the artist’s utopian ideal of providing a conduit to a “new reality”—a universal one. [Permanent collection label, 2017]
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Artist
Naum Gabo
(American, b. Russia, 1890–1977)
- Title Linear Construction in Space No.1 (Variation)
- Date 1942–43
- Medium Plexiglas with nylon monofilament
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Dimensions
unframed | 24 1/8 x 24 1/8 x 9 7/8 in.
- Credit line Gift of Joseph Pulitzer, Jr., 1965
- Object number WU 4285
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Work type
sculpture
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Theme
Abstraction
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Currently on View
Gertrude Bernoudy Gallery, Room 3
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Works of Art from the Collections of the Harvard Class of 1936
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