Learning Resources
Bring art to your home and classroom through interactive resources for different learning styles and developmental stages. Essays, guides, activities, and videos are designed to support various curricular topics and lifelong learning.
go to Design Agendas Symposium Discussion Panels page
Grade:
University
Design Agendas Symposium Discussion Panels
go to Design Agendas Symposium Keynote Address page
Grade:
University
Design Agendas Symposium Keynote Address
go to Q&A with Eric P. Mumford and Michael E. Willis page
Grade:
University
Q&A with Eric P. Mumford and Michael E. Willis
go to Timothy Morton: "This Is Hell, It's Not the End of the World" page
Grade:
University
Timothy Morton: "This Is Hell, It's Not the End of the World"
go to Kahlil Robert Irving and Andrea Achi: Archaeology and Contemporary Art page
Grade:
University
Kahlil Robert Irving and Andrea Achi: Archaeology and Contemporary Art
go to Toxic Sublime: Art and the Climate Crisis page
Grade:
High, University
Toxic Sublime: Art and the Climate Crisis
go to Reading and Talk with Poet Simone White page
Grade:
University
Reading and Talk with Poet Simone White
go to Lecture: “Gerard Sekoto and the International Histories of African Modernism” page
Grade:
University
Lecture: “Gerard Sekoto and the International Histories of African Modernism”
go to Discussion: “Collecting and Exhibiting Modern African Art” page
Grade:
University
Discussion: “Collecting and Exhibiting Modern African Art”
go to Katharina Grosse: Returns, Revisions, Inventions page
Grade:
High, University
Katharina Grosse: Returns, Revisions, Inventions
go to Spring 2022 Interactive Laptop Music Compositions page
Grade:
University
Spring 2022 Interactive Laptop Music Compositions
go to Lecture: “Monsters, Cyborgs & Other Vessels: Apparitions of the Yellow Woman” page
Grade:
University
Lecture: “Monsters, Cyborgs & Other Vessels: Apparitions of the Yellow Woman”
go to Artist Talk: Deborah Roberts and Adrian Octavius Walker with Adrienne Davis page
Grade:
University
Artist Talk: Deborah Roberts and Adrian Octavius Walker with Adrienne Davis
go to Artist Talk: Sheldon Scott with Gwendolyn DuBois Shaw page
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Grade:
University
Artist Talk: Sheldon Scott with Gwendolyn DuBois Shaw
go to New Perspectives Talk: “Interpreting the Ink Rubbings of the Wu Liang Shrine” page
Grade:
University
New Perspectives Talk: “Interpreting the Ink Rubbings of the Wu Liang Shrine”
go to Artist Talk: Jess T. Dugan and David Antonio Cruz with Amber Johnson page
Grade:
University
Artist Talk: Jess T. Dugan and David Antonio Cruz with Amber Johnson
go to Screening & Artist Talk: Hugo Crosthwaite page
Grade:
University
Screening & Artist Talk: Hugo Crosthwaite
go to Discussion and Performance: "Hostile Terrain 94" page
Grade:
University
Discussion and Performance: "Hostile Terrain 94"
go to New Perspectives Talk: “Memory and Resistance: Charles Meryon’s Paris” page
Grade:
University
New Perspectives Talk: “Memory and Resistance: Charles Meryon’s Paris”
go to A Close Look at "Parking Lots" by Ed Ruscha page
Grade:
High, University
A Close Look at "Parking Lots" by Ed Ruscha
go to A Close Look at “Les Pauvres” by Pablo Picasso (Mandarin) page
Grade:
High, University
A Close Look at “Les Pauvres” by Pablo Picasso (Mandarin)
go to A Close Look at “Oenone” by Harriet Hosmer page
Grade:
High, University
A Close Look at “Oenone” by Harriet Hosmer
go to A Close Look at “Untitled (Colored People Grid)” by Carrie Mae Weems page
Grade:
High, University
A Close Look at “Untitled (Colored People Grid)” by Carrie Mae Weems
go to Lecture: “Blurring the Boundaries: The Rise of Blockbuster Museum-Quality Exhibitions” page
Grade:
University
Lecture: “Blurring the Boundaries: The Rise of Blockbuster Museum-Quality Exhibitions”
go to New Perspectives Talk: “To Do without People: Moyra Davey’s Impossible Renunciation” page
Grade:
University
New Perspectives Talk: “To Do without People: Moyra Davey’s Impossible Renunciation”
go to Discussion: “African American Architecture in St. Louis: The Case of Charles E. Fleming” page
Grade:
University
Discussion: “African American Architecture in St. Louis: The Case of Charles E. Fleming”
go to Teaching from the Collection: Thomas Cole, “Aqueduct near Rome” page
Grade:
High, University
Teaching from the Collection: Thomas Cole, “Aqueduct near Rome”
go to Guided Close Looking: Fernand Léger, “Les grands plongeurs” page
Grade:
Middle, High, University
Guided Close Looking: Fernand Léger, “Les grands plongeurs”
go to Guided Close Looking: Rodney McMillian, “Untitled (Clouds)” page
Grade:
Middle, High, University
Guided Close Looking: Rodney McMillian, “Untitled (Clouds)”
go to New Perspectives Talk: “Myths of the Orient: Deconstructing the European Vision of the Middle East” page
Grade:
University
New Perspectives Talk: “Myths of the Orient: Deconstructing the European Vision of the Middle East”
go to Lecture: “Multidirectional Memories, Implicated Subjects, and the Possibilities of Art” page
Grade:
University
Lecture: “Multidirectional Memories, Implicated Subjects, and the Possibilities of Art”
go to Gallery Talk: “The Autonomous Future of Mobility” page
Grade:
University
Gallery Talk: “The Autonomous Future of Mobility”
go to New Perspectives Talk: “A Visual Breakdown: Confronting the Strange in Max Ernst’s L’oeil du silence” page
Grade:
University
New Perspectives Talk: “A Visual Breakdown: Confronting the Strange in Max Ernst’s L’oeil du silence”
go to Lecture: “Activating the Spectator by Reshaping the Aesthetic Field” page
Grade:
University
Lecture: “Activating the Spectator by Reshaping the Aesthetic Field”
go to Gallery Talk: “Truths and Reckonings” page
Grade:
University
Gallery Talk: “Truths and Reckonings”
go to Lecture: “Hybrid Landscape, a Lecture by Walter Hood” page
Grade:
University
Lecture: “Hybrid Landscape, a Lecture by Walter Hood”
go to Discussion: “The Artwork in Flux, a Live Q&A” page
Grade:
University
Discussion: “The Artwork in Flux, a Live Q&A”
go to Discussion: “Global Vistas: American Art and Internationalism” page
Grade:
University
Discussion: “Global Vistas: American Art and Internationalism”
go to Discussion: “Collection Care: A Conversation with the Midwest Art Conservation Center” page
Grade:
University
Discussion: “Collection Care: A Conversation with the Midwest Art Conservation Center”
go to Discussion: “The Art of Reading an Ancient Greek Vase” page
Grade:
University
Discussion: “The Art of Reading an Ancient Greek Vase”
go to Discussion: “Public Art: Commissions, Collections, and Engagement” page
Grade:
University
Discussion: “Public Art: Commissions, Collections, and Engagement”
go to Guided Close Looking: Willem de Kooning, “Saturday Night” page
Grade:
Middle, High, University
Guided Close Looking: Willem de Kooning, “Saturday Night”
go to Gallery Talk: “Edition MAT and Marcel Duchamp” page
Grade:
University
Gallery Talk: “Edition MAT and Marcel Duchamp”
go to Selections from the Speculum Romanae Magnificentiae, 16th century page
Selections from the Speculum Romanae Magnificentiae, 16th century
March 2020
go to Lecture: “Unstable Futures: Conserving the Immaterial” page
Grade:
University
Lecture: “Unstable Futures: Conserving the Immaterial”
go to Discussion: “Truths and Reckonings” page
Grade:
University
Discussion: “Truths and Reckonings”
go to Allan Sekula, Volunteer’s Soup (Isla de Ons, 12/19/02), 2002–3 page
Allan Sekula, Volunteer’s Soup (Isla de Ons, 12/19/02), 2002–3
Svea Bräunert, September 2016
go to Carrie Mae Weems, Untitled (Colored People Grid), 2009–10 page
Carrie Mae Weems, Untitled (Colored People Grid), 2009–10
Allison Unruh, September 2016
go to Isa Genzken, Bill II, 2001, and Little Crazy Column, 2002 page
Isa Genzken, Bill II, 2001, and Little Crazy Column, 2002
Svea Bräunert, September 2016
go to Paul Gauguin, Te Atua (The Gods), 1899 page
Paul Gauguin, Te Atua (The Gods), 1899
Elizabeth Childs, September 2016
go to Thomas Cole, Aqueduct near Rome, 1832 page
Thomas Cole, Aqueduct near Rome, 1832
William L. Coleman, February 2016
go to Odilon Redon, Une femme revêtue du soleil (A Woman Clothed in Sunshine), 1899 page
Odilon Redon, Une femme revêtue du soleil (A Woman Clothed in Sunshine), 1899
Orin Zahra, December 2015
go to Nicole Eisenman, Tea Party, 2012 page
Nicole Eisenman, Tea Party, 2012
Kelly Shindler, November 2015
go to Thomas Ball, Freedom's Memorial, 1875 page
Thomas Ball, Freedom's Memorial, 1875
Katherine Harnish, April 2015
go to Yto Barrada, Tunnel—Disused Survey Site for a Morocco–Spain Connection and Landslip, Cromlech de Mzora, 2001–2002 page
Yto Barrada, Tunnel—Disused Survey Site for a Morocco–Spain Connection and Landslip, Cromlech de Mzora, 2001–2002
April 2014
go to Franz Seraph von Lenbach, Portrait of Prince Otto von Bismarck, 1884–90 page
Franz Seraph von Lenbach, Portrait of Prince Otto von Bismarck, 1884–90
James van Dyke, March 2014
go to Sanford Robinson Gifford, Rheinstein, Early October in the White Mountains, and Venetian Sails: A Study, 1872–1874 page
Sanford Robinson Gifford, Rheinstein, Early October in the White Mountains, and Venetian Sails: A Study, 1872–1874
Jennifer Padgett, December 2013
go to Hendrick Goltzius, The Great Hercules, 1589 page
Hendrick Goltzius, The Great Hercules, 1589
Marisa Bass, October 2013
go to Eugene Berman, The Good Samaritan (Le bon Samaritain), 1930 page
Eugene Berman, The Good Samaritan (Le bon Samaritain), 1930
Keith Holz, March 2013
go to Georges Braque and the Cubist Still Life 1928–1945 page
Grade:
High, University
Georges Braque and the Cubist Still Life 1928–1945
go to Daniel Hopfer, The Peasant Feast, c. 1533–36 page
Daniel Hopfer, The Peasant Feast, c. 1533–36
Elizabeth Wyckoff, December 2012
go to Paul Klee, Zeichensammlung Südlich (Collection of Southern Signs), 1924 page
Paul Klee, Zeichensammlung Südlich (Collection of Southern Signs), 1924
Sarah McGavran, April 2012
go to Jackson Pollock, Sleeping Effort, 1953 page
Jackson Pollock, Sleeping Effort, 1953
Angela Miller, March 2012
go to Fumihiko Maki, Mildred Lane Kemper Art Museum building, 2006 page
Fumihiko Maki, Mildred Lane Kemper Art Museum building, 2006
Eric P. Mumford, November 2011
go to Albrecht Dürer, Melencolia I, 1514 page
Albrecht Dürer, Melencolia I, 1514
Ryan Gregg, September 2011
go to Fernand Léger, Les belles cyclistes (The Women Cyclists), 1944 page
Fernand Léger, Les belles cyclistes (The Women Cyclists), 1944
Meredith Malone, July 2011
go to Frederic Edwin Church, Sierra Nevada de Santa Marta, 1883 page
Frederic Edwin Church, Sierra Nevada de Santa Marta, 1883
Matthew Bailey, April 2011
go to Henri Matisse, Nature morte aux oranges (II) (Still Life with Oranges [II]), c. 1899 page
Henri Matisse, Nature morte aux oranges (II) (Still Life with Oranges [II]), c. 1899
John Klein, April 2011
go to Barbara Kruger, Untitled, 1989–90 page
Barbara Kruger, Untitled, 1989–90
Bradley Bailey, November 2010
go to Philip Guston, If This Be Not I, 1945 page
Philip Guston, If This Be Not I, 1945
Lynette Roth, October 2010
go to Alberto Burri, Gran Ferro M1, 1958, and Gran Ferro M3, 1959 page
Alberto Burri, Gran Ferro M1, 1958, and Gran Ferro M3, 1959
Karen K. Butler, September 2010
go to Allan McCollum, Pam Beale, 1971 page
Allan McCollum, Pam Beale, 1971
Meredith Malone, August 2010
go to Max Beckmann, Weather-vane from the series Day and Dream, 1946 page
Max Beckmann, Weather-vane from the series Day and Dream, 1946
Sydney Norton, April 2010
go to Unknown, Wulfing Repoussé Plaques, c. 1200–1400 page
Unknown, Wulfing Repoussé Plaques, c. 1200–1400
Matthew Robb, March 2010
go to Robert Motherwell, Interior with Pink Nude, 1951 page
Robert Motherwell, Interior with Pink Nude, 1951
Karen K. Butler, January 2010
go to Jean Dubuffet, Tête barbue, 1959, and Poches aux yeux, 1959 page
Jean Dubuffet, Tête barbue, 1959, and Poches aux yeux, 1959
Karen K. Butler, December 2009
go to Wolfgang Tillmans, Portrait series, 2001 page
Wolfgang Tillmans, Portrait series, 2001
Anna Warbelow, September 2009
go to Pierre Soulages, Peinture 200 x 265 cm, 20 mai 1959 (Painting 200 x 265 cm, 20 May 1959), 1959 page
Pierre Soulages, Peinture 200 x 265 cm, 20 mai 1959 (Painting 200 x 265 cm, 20 May 1959), 1959
Karen K. Butler, May 2009
go to Georges Braque, Nature morte et verre (Still Life with Glass), 1930 page
Georges Braque, Nature morte et verre (Still Life with Glass), 1930
Karen K. Butler, March 2009
go to Lorna Simpson, Counting, 1991 page
Lorna Simpson, Counting, 1991
Elissa Weichbrodt, February 2009
go to Christian Boltanski, Padre Mariano, 1994 page
Christian Boltanski, Padre Mariano, 1994
Rebecca DeRoo, January 2009
go to Raphael Soyer, Girl Standing Semi-nude, c. 1940 page
Raphael Soyer, Girl Standing Semi-nude, c. 1940
Bryna Campbell, December 2008
go to Joseph Stella, Man in Elevated (Train), c. 1916–18 page
Joseph Stella, Man in Elevated (Train), c. 1916–18
Michael Murawski, November 2008
go to Rembrandt van Rijn, The Three Crosses, 1660-61 page
Rembrandt van Rijn, The Three Crosses, 1660-61
Paul Crenshaw, October 2008
go to Hermonax, Nolan Amphora, 475–465 BC page
Hermonax, Nolan Amphora, 475–465 BC
Grizelda McClelland, September 2008
go to Alexander Calder, Five Rudders, 1964 page
Alexander Calder, Five Rudders, 1964
Meredith Malone, August 2008
go to Narcisse Virgile Diaz de la Peña, Wood Interior, 1867 page
Narcisse Virgile Diaz de la Peña, Wood Interior, 1867
Rachel Keith, July 2008
go to Harriet Hosmer, Oenone, 1854–55 page
Harriet Hosmer, Oenone, 1854–55
Erin Sutherland Minter, June 2008
go to George Wesley Bellows, Portrait of Geraldine Lee, No. 1, 1914 page
George Wesley Bellows, Portrait of Geraldine Lee, No. 1, 1914
Michael Murawski, May 2008
go to Willem de Kooning, Saturday Night, 1956 page
Willem de Kooning, Saturday Night, 1956
John J. Curley, April 2008
go to Max Ernst, L’oeil du silence (The Eye of Silence), 1943-44 page
Max Ernst, L’oeil du silence (The Eye of Silence), 1943-44
Sabine Eckmann, March 2008
go to Joseph Jones, Landscape, 1932 page
Joseph Jones, Landscape, 1932
Bryna Campbell, February 2008
go to Ludwig Meidner, Selbstbildnis (Self-Portrait), 1912 page
Ludwig Meidner, Selbstbildnis (Self-Portrait), 1912
Anne Popiel, January 2008
go to Olafur Eliasson, Your Imploded View, 2001 page
Olafur Eliasson, Your Imploded View, 2001
Meredith Malone, December 2007
go to Jean-Baptiste-Camille Corot, Le chemin des vieux, Luzancy, Seine-et-Marne, 1871–72 page
Jean-Baptiste-Camille Corot, Le chemin des vieux, Luzancy, Seine-et-Marne, 1871–72
Noelle Paulson Bradley, November 2007
go to Thomas Eakins, Portrait of Professor W. D. Marks, 1886 page
Thomas Eakins, Portrait of Professor W. D. Marks, 1886
Emilie Boone, October 2007
go to John Baldessari, Two Compositions (Formal / Informal; Interior / Exterior), 1990 page
John Baldessari, Two Compositions (Formal / Informal; Interior / Exterior), 1990
Catharina Manchanda, September 2007
go to Marsden Hartley, The Iron Cross, 1915 page
Marsden Hartley, The Iron Cross, 1915
Michael Murawski, August 2007
go to Max Beckmann, Les Artistes mit Gemüse (Artists with Vegetable), 1943 page
Max Beckmann, Les Artistes mit Gemüse (Artists with Vegetable), 1943
Sabine Eckmann, July 2007
go to Andrea Fraser, Little Frank and His Carp, 2001 page
Andrea Fraser, Little Frank and His Carp, 2001
Meredith Malone, June 2007
go to Franz Ackermann, Condominium, 1994–2002 page
Franz Ackermann, Condominium, 1994–2002
Jodi Kovach, May 2007
go to Josef Albers, Homage to the Square: Aurora, 1951-55 page
Josef Albers, Homage to the Square: Aurora, 1951-55
Michael Murawski, April 2007
go to Cosima von Bonin, Rockstars (Character Appropriation), 2003 page
Cosima von Bonin, Rockstars (Character Appropriation), 2003
Jodi Kovach, March 2007
go to Romare Bearden, Black Venus, 1968 page
Romare Bearden, Black Venus, 1968
Meredith Malone, February 2007
go to Lucebert, The Menaced House, 1962 page
Lucebert, The Menaced House, 1962
Meredith Malone, January 2007
go to "Stacking Traumas": Communicating Sound, Negotiating Trauma page
Grade:
High, University
"Stacking Traumas": Communicating Sound, Negotiating Trauma
go to 19th- and Early 20th-Century American and European Art page
Grade:
High, University
19th- and Early 20th-Century American and European Art
go to Across Past, Present, and Future: Art by Black Artists page
Grade:
High, University
Across Past, Present, and Future: Art by Black Artists
go to American and European Art Post-1950 page
Grade:
High, University
American and European Art Post-1950
go to Connecting Literature and Visual Art page
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Grade:
High, University
Connecting Literature and Visual Art
go to Continuous Line Drawing page
Grade:
Elementary, Middle, High, University
