WashU Faculty
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Overview
The Kemper Art Museum welcomes faculty, staff, and students to explore our permanent collection and special exhibitions. The Museum’s collection of more than 8,000 artworks, including paintings, photography, prints, and sculpture, from modern to global contemporary art, offers a range of resources to academic disciplines.
We invite faculty to use the Museum as a laboratory for creative and critical thinking, as a catalyst for conversation, and as a platform for enriching learning. Our educators carefully select works of art that relate to disciplinary goals and design activities to make connections with ideas discussed in class and students’ lives.
"Working with the Kemper Art Museum is far and away the highlight of the class. The art and architecture inspire students to think about music in a different way, as one part of an open dialogue with the works around them. The project gives us a chance to take our music as seriously as the incredible art on display, and we learn to balance artistic intentions with the practical considerations of installing a big show."
– Chris Douthitt, Department of Music, Arts & Sciences
Each year, thousands of students across Washington University’s campuses visit the Kemper Art Museum from departments across campus, including Architecture, Art History & Archeology, Art, Chinese, Classics, Communication Design, Comparative Literature, Drama, Education, English Literature, Engineering, French, German, Physics, Psychological & Brain Sciences, Sociology, and Women, Gender, and Sexuality Studies.
Class Tours
Educator-led and self-guided tours complement classroom teaching and learning through close looking and interpretive conversations to promote active student engagement with subject-specific and interdisciplinary curricula. Gallery experiences support students’ development of such transferable skills as communication, creative expression, perspective taking, and critical thinking relevant to a variety of disciplines.
Faculty can request a custom-designed tour or select from one of the offerings below. Tours are led by a Museum educator or are self-guided and are available Wednesday–Monday from 11 am to 5 pm. Limited visits for groups interested in a guided tour outside of normal operating hours are possible based on staff availability.
To schedule a consultation or class visit, please contact José Garza, museum academic programs coordinator, two weeks before the desired date at jgarza@wustl.edu or use the tour request form.
Tour Topics
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Students make meaningful connections to their fields of study by discussing selected artworks with connections to course goals, ideas, and concepts. Faculty can request a consultation with a Museum educator to learn about creating a custom-designed tour.
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Students learn the steps of visual analysis by “reading” works of art to build observational skills through close looking, comparing/contrasting, and describing. Following visual analysis, students apply different theoretical lenses in their analysis to prepare for writing research papers.
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Students in poetry, fiction, and nonfiction explore how visual artists experiment with language and participate in creative writing activities in response to works of art.
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The Museum invites faculty, staff, and students to use artworks from the collection to serve as a catalyst for conversations on historical and contemporary issues related to bias, identity, economic inequities, environmental justice, migration, and activism.
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Collaborations between medical schools and art museums have proved successful in increasing students’ ability to look deeper, develop descriptive skills, and cultivate empathy through experiences with art. This tour reinforces the importance of the art of close looking within the practice of medicine, technical writing, and other fields that require keen observation.
Teaching Gallery
The Teaching Gallery is an exhibition space in the Mildred Lane Kemper Art Museum dedicated to presenting works from the Museum’s collection with direct connections to Washington University courses. Teaching Gallery installations are intended to serve as parallel classrooms and can be used to supplement courses through object-based inquiry, research, and learning. Calls for proposals are typically sent out a year in advance (see timeline below), but instructors are encouraged to contact the Museum to discuss proposal ideas.
INTERESTED IN APPLYING?
Instructors are invited to attend a Lunch & Learn event on Thursday, February 6, at noon, to learn more about the program and to view the gallery space.
For questions or to submit a proposal, please contact Dana Ostrander, assistant curator, at 314.935.5663 or danao@wustl.edu.
Applications are now being accepted for the Fall 2025 and Spring 2026 Teaching Gallery. View the call for proposals.
Proposal submissions open: February 2025 / Deadline to submit: March 17, 2025
Dates on view: August 27–late December, 2025
Production process: April–August 2025
Proposal submissions open: February 2025 / Deadline to submit: March 17, 2025
Dates on view: January 14–late July, 2026
Production process: September–December 2025
"When I'm 64": Artists in Their Later Years (August 28–December 30, 2024)
Tragic Depictions: Negative Emotions in the Visual Arts (January 17–July 22, 2024)
Disorderly Materials / Contingent Objects (September 1–December 31, 2023)
Elusive Form: Color in Space (January 19, 2023–April 9, 2023)
Ambivalent Pleasures: Advertiser Content in American Art (August 29, 2022–January 2, 2023)
(Un)masking Health: Counter Perspectives (January 19, 2022–July 25, 2022)
Colonizing the Past: Constructing Race in Ancient Greece and Rome (August 30, 2021–December 27, 2021)
The Autonomous Future of Mobility (November 2, 2020–March 12, 2021)
Truths and Reckonings: The Art of Transformative Racial Justice (February 7, 2020–October 14, 2020)
The New York Collection for Stockholm Portfolio (February 2, 2018–May 21, 2018)
Reframing Feminism: Visualizing Women, Gender & Sexuality (September 8, 2017–January 8, 2018)
(Re)Presenting Heroes, Defining Virtue (February 10, 2017–March 19, 2017)
Battle of Ideal vs. Real: The Figure in Nineteenth-Century Art (May 6, 2016–July 31, 2016)
Abodes of Plenty: American Art of the Inhabited Landscape (January 29, 2016–April 24, 2016)
Relationships and Representation: Perspectives on Social Justice Work (September 11, 2015–January 4, 2016)
Parallel Modes: Illustrated Visual Journalism and American Photography, 1955–1980 (January 23, 2015–April 5, 2015)
Picturing Narrative: Greek Mythology in the Visual Arts (September 12, 2014–January 4, 2015)
Wanting Women: Expressions of Desire and Difference in Images of Women from the 15th Century to Today (January 31, 2014–April 14, 2014)
Red (September 20, 2013–January 6, 2014)
Ugly: An Alternative Look at Western Art (June 5, 2013–August 4, 2013)
Ways of Seeing the City (September 14, 2012–January 7, 2013)
Art and the Mind-Brain (January 27, 2012–April 16, 2012)
Performance and Performativity in Contemporary Art (August 19, 2011–January 15, 2012)
Mythologized, Idealized, Modernized: The Human Figure in Western Art (May 13, 2011–July 18, 2011)
Dada and Surrealism: Rethinking Reason (January 28, 2011–May 9, 2011)
Studying the Art Object: Materials and Methods (August 20, 2010–January 10, 2011)
Humor, Irony, and Satire: Strategies of Critique in Modern Art and Culture (May 21, 2010–July 18, 2010)
American Indian Art and Iconography (February 5, 2010–May 17, 2010)
The Political Eye: Nineteenth-Century French Caricature and the Mass Media (January 30, 2009–April 27, 2009)
Serious Drinking: Vases of the Greek Symposium (August 22, 2008–January 5, 2009)
The Cultural Life of Things (February 8, 2008–April 21, 2008)
Container Narratives: Literary and Visual (February 9, 2007–April 29, 2007)
Pressing Issues: The Social Agency of Prints (October 25, 2006–December 31, 2006)
Study Room
The Museum’s Study Room is a dedicated space to support the teaching of academic courses as well as scholarly research on the collection. Learn more here.
University eNews
Subscribe to the Museum’s University eNews to receive information about programming, events, and other resources for university audiences.