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Carsten Höller

Ballonsüssi

1994
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Lauren Lesko

Fur Muff

1993
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Xindu Gaoquan (Jp. Kosen Shoton)

Single-Stroke Daruma

n.d.
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Doug Aitken

fury eyes

1994
go to Reframing the 19th Century page
Edward Mitchell Bannister (American, 1828–1901), Harvest, 1884. Oil on canvas, 30 x 22 in. Crystal Bridges Museum of American Art, Bentonville, Arkansas.  Gift of halley k harrisburg and Michael Rosenfeld, 2014.43.
Permanent collection

Reframing the 19th Century

June 20, 2024
go to Let Us Feel Heartbreak: Contemporary Art and the Environment page
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Permanent collection

Let Us Feel Heartbreak: Contemporary Art and the Environment

August 17, 2024
go to Artists in Exile: European Surrealists in the US during and after World War II page
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Permanent collection

Artists in Exile: European Surrealists in the US during and after World War II

September 1, 2023
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Permanent collection

Printmaking and the US Political Landscape, 1968–present

December 6, 2024
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Gallery Talk

New Perspectives Talk: Reading Gestural Abstraction

February 13, 2025
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Performance

Kemper Unplugged: Sweeter Than Roses

February 14, 2025
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Public Tour

Chinese-Language Tour: Art and the Environment

February 16, 2025
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Member Event

Member and WashU Preview—Seeds: Containers of a World to Come

February 21, 2025
go to Design Agendas Symposium Discussion Panels page
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Grade: University

Design Agendas Symposium Discussion Panels

On October 26, 2024, as part of the Design Agendas Public Symposium, community leaders, municipal leaders, and scholars joined in dialogue around...

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Grade: University

Design Agendas Symposium Keynote Address

On October 25, Toni L. Griffin, professor in practice of urban planning at Harvard University Graduate School of Design gave a Keynote Address as part...

go to Q&A with Eric P. Mumford and Michael E. Willis page
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Grade: University

Q&A with Eric P. Mumford and Michael E. Willis

As part of the opening celebrations for Design Agendas: Modern Architecture in St. Louis, 1930s – 1970s, co-curators Eric P. Mumford and Michael...

go to Timothy Morton: "This Is Hell, It's Not the End of the World" page
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Grade: University

Timothy Morton: "This Is Hell, It's Not the End of the World"

Organized in conjunction with the exhibition Santiago Sierra: 52 Canvases Exposed to Mexico City’s Air, Timothy Morton, Rita Shea...

go to Design Agendas: Modern Architecture in St. Louis, 1930s–1970s page
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Design Agendas: Modern Architecture in St. Louis, 1930s–1970s

2024
go to Adam Pendleton: To Divide By page
Adam Pendleton: To Divide By

Adam Pendleton: To Divide By

2024
go to Katharina Grosse Studio Paintings, 1988–2022: Returns, Revisions, Inventions page
Book cover of "Katharina Grosse Studio Paintings, 1988–1992"

Katharina Grosse Studio Paintings, 1988–2022: Returns, Revisions, Inventions

2022
go to Multiplied: Edition MAT and the Transformable Work of Art, 1959–1965 page
Book cover of "Multiplied: Edition MAT and the Transformable Work of Art, 1959–1965"

Multiplied: Edition MAT and the Transformable Work of Art, 1959–1965

2020
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Katharina Grosse, <em>Untitled</em>, 2016. Acrylic paint on wallboard, wood veneer, and steel, 480 x 960 x 67 in. University purchase, Art on Campus fund, Gary M. Sumers Recreation Center, 2016.

Art on Campus

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Events

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    Kim Broker

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    Membership Coordinator

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    Latausha Cox

    Associate Educator for School and Teacher Programs