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Collection (5295)
go to Portrait of Mickalene Thomas, the Coyote page
Kehinde Wiley
Portrait of Mickalene Thomas, the Coyote
2017
go to Caire, Grande Pyramide de Chéops (Cairo, Great Pyramid of Cheops [Khufu], Giza) page
Maison Bonfils
Caire, Grande Pyramide de Chéops (Cairo, Great Pyramid of Cheops [Khufu], Giza)
1867–c. 1890s
go to Fountain of Achmed III, Constantinople, Turkey page
Maison Bonfils
Fountain of Achmed III, Constantinople, Turkey
1867–c. 1890s
go to We Have Not Forgotten, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part page
R. B. Kitaj
We Have Not Forgotten, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969
go to La Lucha del Pueblo, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part page
R. B. Kitaj
La Lucha del Pueblo, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969
go to Partisan Review, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part page
R. B. Kitaj
Partisan Review, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969
go to Transition, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part page
R. B. Kitaj
Transition, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969
go to The Wording of Police Charges, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part page
R. B. Kitaj
The Wording of Police Charges, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969
go to The Jewish Question, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part page
R. B. Kitaj
The Jewish Question, from the portfolio In Our Time: Covers for a Small Library after the Life for the Most Part
1969
go to Portrait of Chancellor Throop page
Wallace Herndon Smith
Portrait of Chancellor Throop
20th century
go to Market Diner, from the portfolio City-Scapes page
John Baeder
Market Diner, from the portfolio City-Scapes
1979
go to Forward, from the portfolio City-Scapes page
London Arts, Inc.
Studio Heinrici
Forward, from the portfolio City-Scapes
1980
go to 451, from the potfolio City-Scapes page
Thomas Leo Blackwell
451, from the potfolio City-Scapes
1979
go to Gas Line, from the portfolio City-Scapes page
Ron Kleeman
Gas Line, from the portfolio City-Scapes
1979
go to Building Reflection, from the portfolio City-Scapes page
C. J. Yao
Building Reflection, from the portfolio City-Scapes
1979
go to Triumphal Arch of Marcus Aurelius, from Speculum Romanae Magnificentiae page
Antonio Lafreri
Triumphal Arch of Marcus Aurelius, from Speculum Romanae Magnificentiae
16th century
go to Apollo Belvedere, from Speculum Romanae Magnificentiae page
Anonymous (from Lafreri)
Apollo Belvedere, from Speculum Romanae Magnificentiae
published 1552
go to Triumphal Arch of Caesar Augustus, from Speculum Romanae Magnificentiae page
Antonio Lafreri
Triumphal Arch of Caesar Augustus, from Speculum Romanae Magnificentiae
1566
go to Fighting Warriors, from Speculum Romanae Magnificentiae page
Antonio Lafreri
Fighting Warriors, from Speculum Romanae Magnificentiae
16th century
go to Bas-reliefs from the Arch of Constantine, from Speculum Romanae Magnificentiae page
Nicholas Beatrizet
Bas-reliefs from the Arch of Constantine, from Speculum Romanae Magnificentiae
1553
go to Tomb of C. Cestius, from Speculum Romanae Magnificentiae page
Ambrogio Brambilla
Tomb of C. Cestius, from Speculum Romanae Magnificentiae
published 1582
go to St. Peter's Basilica, Michelangelo's Project, Exterior View, from Speculum Romanae Magnificentiae page
Ambrogio Brambilla
St. Peter's Basilica, Michelangelo's Project, Exterior View, from Speculum Romanae Magnificentiae
published c. 1581–86
go to The Arch of Constantine, from Speculum Romanae Magnificentiae page
Unknown
The Arch of Constantine, from Speculum Romanae Magnificentiae
1583
go to Beratung (Conspirators), from the series Weavers' Revolt page
Käthe Kollwitz
Beratung (Conspirators), from the series Weavers' Revolt
1898
go to Landscape with Figures page
Anonymous
Nicholaes, the elder Berchem
Landscape with Figures
17th century
go to Lullaby, from the portfolio Sketches of Auden page
Henry Moore
Lullaby, from the portfolio Sketches of Auden
1974
go to Fjord, from the portfolio Sketches of Auden page
Henry Moore
Fjord, from the portfolio Sketches of Auden
1974
go to The Forest, from the portfolio Sketches of Auden page
Henry Moore
The Forest, from the portfolio Sketches of Auden
1974
go to Title Page, from the portfolio Suite 3 page
Yaacov Agam
Title Page, from the portfolio Suite 3
1974
go to Table of Contents, from the portfolio Suite 3 page
Yaacov Agam
Table of Contents, from the portfolio Suite 3
1974
go to Text Page 2, from the portfolio Suite 3 page
Yaacov Agam
Text Page 2, from the portfolio Suite 3
1974
go to Rythme Ligne Forme, from the portfolio Suite 3 page
Yaacov Agam
Rythme Ligne Forme, from the portfolio Suite 3
1974
go to Introduction, from the portfolio Color Nature Landscapes I page
D. E. P. Editions, Inc.
Introduction, from the portfolio Color Nature Landscapes I
1983
go to Mississippi River Near Prairie Du Chien, from the portfolio Color Nature Landscapes I page
William Garnett
Mississippi River Near Prairie Du Chien, from the portfolio Color Nature Landscapes I
1968
go to Untitled (Study for a Sculpture) page
Seymour Lipton
Untitled (Study for a Sculpture)
20th century
go to Poster for Pollock Exhibition at Parsons Gallery page
Jackson Pollock
Poster for Pollock Exhibition at Parsons Gallery
1951
go to Venice, California, from the portfolio Women are Better than Men. Not Only have they Survived, they do Prevail. page
Garry Winogrand
Venice, California, from the portfolio Women are Better than Men. Not Only have they Survived, they do Prevail.
1979
go to Nude on Grass, from the portfolio If and (Silk): Fifteen Photographs by Ralph Gibson page
Ralph Gibson
Nude on Grass, from the portfolio If and (Silk): Fifteen Photographs by Ralph Gibson
1970
go to Woman's Hand on Shoulder—Brassiere, from the portfolio If and (Silk): Fifteen Photographs by Ralph Gibson page
Ralph Gibson
Woman's Hand on Shoulder—Brassiere, from the portfolio If and (Silk): Fifteen Photographs by Ralph Gibson
1975
go to Woman with Mask, from the portfolio If and (Silk): Fifteen Photographs by Ralph Gibson page
Ralph Gibson
Woman with Mask, from the portfolio If and (Silk): Fifteen Photographs by Ralph Gibson
1972
go to Woman's Truncated Profile, from the portfolio If and (Silk): Fifteen Photographs by Ralph Gibson page
Ralph Gibson
Woman's Truncated Profile, from the portfolio If and (Silk): Fifteen Photographs by Ralph Gibson
1975
go to Woman in Bridal Gown, from the portfolio If and (Silk): Fifteen Photographs by Ralph Gibson page
Ralph Gibson
Woman in Bridal Gown, from the portfolio If and (Silk): Fifteen Photographs by Ralph Gibson
1980
go to Frontal Portrait, from the portfolio If and (Silk): Fifteen Photographs by Ralph Gibson page
Ralph Gibson
Frontal Portrait, from the portfolio If and (Silk): Fifteen Photographs by Ralph Gibson
1978
go to Untitled, from the portfolio Bay Sky Porch page
Joel Meyerowitz
Untitled, from the portfolio Bay Sky Porch
1979
go to Street Artist, New York, from the portfolio Artifacts page
Ralph Gibson
Street Artist, New York, from the portfolio Artifacts
1981
go to Painter, London, from the portfolio Artifacts page
Ralph Gibson
Painter, London, from the portfolio Artifacts
1984
go to Architectural Detail, Rome, from the portfolio Artifacts page
Ralph Gibson
Architectural Detail, Rome, from the portfolio Artifacts
1984
go to Marcellus, Louvre, Paris, from the portfolio Artifacts page
Ralph Gibson
Marcellus, Louvre, Paris, from the portfolio Artifacts
1984
go to Antiquities Dealer, Rome, from the portfolio Artifacts page
Ralph Gibson
Antiquities Dealer, Rome, from the portfolio Artifacts
1984
go to Laurelton Hall, Home of Louis Comfort Tiffany, Oyster Bay page
Grace Spaulding John
Laurelton Hall, Home of Louis Comfort Tiffany, Oyster Bay
1923
go to Self-Portrait in Oriental Costume page
Rembrandt van Rijn
Self-Portrait in Oriental Costume
1634
go to Gideon Watching the Way the Soldiers Drink, from the series The Story of Gideon page
Maerten van Heemskerck
Hieronymus Cock
Gideon Watching the Way the Soldiers Drink, from the series The Story of Gideon
1561
go to Jesus as a Boy, Talking with the Edlers in the Temple page
Marcantonio Raimondi
Jesus as a Boy, Talking with the Edlers in the Temple
n.d.
go to The Museum of Fine Arts, St. Louis, Missouri page
Unknown (American)
The Museum of Fine Arts, St. Louis, Missouri
1881
go to Master Prints Volume I page
no image
Elliott Erwitt
Double Elephant Press
Master Prints Volume I
published 1985
go to Title Page, from the portfolio Master Prints Volume I page
Title Page, from the portfolio Master Prints Volume I
20th century
go to Venice, Italy, from the portfolio Master Prints Volume I page
Elliott Erwitt
Venice, Italy, from the portfolio Master Prints Volume I
1965
go to Las Vegas, from the portfolio Master Prints Volume I page
Elliott Erwitt
Las Vegas, from the portfolio Master Prints Volume I
1957
go to Paris, from the portfolio Master Prints Volume I page
Elliott Erwitt
Paris, from the portfolio Master Prints Volume I
1951
go to Title Page, from the portfolio Survey 1986 page
Unknown (American)
Title Page, from the portfolio Survey 1986
1986
go to Untitled, from the portfolio Survey 1986 page
Larry Clark
Untitled, from the portfolio Survey 1986
1963, printed 1986
go to Portrait of William Chauvenet page
Unknown (American)
Portrait of William Chauvenet
19th century
go to Passages #6: The Cosmic Clown Pays Homage to Picasso's 1913 Bather page
Herbert J. Gralnick
Passages #6: The Cosmic Clown Pays Homage to Picasso's 1913 Bather
1989
go to Chicago Project, from S.M.S. No. 1 page
Walter De Maria
Chicago Project, from S.M.S. No. 1
1968
go to Two Propositions in Black, from S.M.S. No. 1 page
Marian Zazeela
La Monte Young
Two Propositions in Black, from S.M.S. No. 1
1968
go to My Country 'Tis of Thee: West Germany, 1968 (Four Views), from S.M.S. No. 1 page
Kasper Konig
My Country 'Tis of Thee: West Germany, 1968 (Four Views), from S.M.S. No. 1
1968
go to Farewell to Faust, from S.M.S. No. 2 page
George Reavey
Farewell to Faust, from S.M.S. No. 2
1968
go to Four Titled Abstracts, from S.M.S. No. 3 page
Joseph Kosuth
Four Titled Abstracts, from S.M.S. No. 3
1968
go to Four Titled Abstracts, from S.M.S. No. 3 page
Joseph Kosuth
Four Titled Abstracts, from S.M.S. No. 3
1968
go to Correspondence, from S.M.S. No. 3 page
Horace Clifford Westermann
Correspondence, from S.M.S. No. 3
1968
go to Correspondence, from S.M.S. No. 3 page
Horace Clifford Westermann
Correspondence, from S.M.S. No. 3
1968
go to All Night Flight (The First Ascent), from S.M.S. No. 3 page
Terry Riley
All Night Flight (The First Ascent), from S.M.S. No. 3
1968
go to Concept Bergtold, from S.M.S. No. 4 page
Paul Bergtold
Concept Bergtold, from S.M.S. No. 4
1968
go to Concept Bergtold, from S.M.S. No. 4 page
Paul Bergtold
Concept Bergtold, from S.M.S. No. 4
1968
go to Concept Bergtold, from S.M.S. No. 4 page
Paul Bergtold
Concept Bergtold, from S.M.S. No. 4
1968
go to Concept Bergtold, from S.M.S. No. 4 page
Paul Bergtold
Concept Bergtold, from S.M.S. No. 4
1968
go to Six Prison Poems, from S.M.S. No. 4 page
Mimmo Rotella
Six Prison Poems, from S.M.S. No. 4
1968
go to Six Prison Poems, from S.M.S. No. 4 page
Mimmo Rotella
Six Prison Poems, from S.M.S. No. 4
1968
go to Title Page, from S.M.S. No. 4 page
The Letter Edged in Black Press
Title Page, from S.M.S. No. 4
1968
go to Against the Grain, from S.M.S. No. 5 page
William Schwedler
Against the Grain, from S.M.S. No. 5
1968
go to Against the Grain, from S.M.S. No. 5 page
William Schwedler
Against the Grain, from S.M.S. No. 5
1968
go to Turf, Stake and String, from S.M.S. No. 5 page
Lawrence Weiner
Turf, Stake and String, from S.M.S. No. 5
1968
go to Magellanic Clouds, from S.M.S. No. 5 page
Diane Wakoski
Magellanic Clouds, from S.M.S. No. 5
1968
go to The Barber's Shop, from S.M.S. No. 5 page
William Copley
The Barber's Shop, from S.M.S. No. 5
1968
go to The Barber's Shop, from S.M.S. No. 5 page
William Copley
The Barber's Shop, from S.M.S. No. 5
1968
go to Custer's Last Stand, from S.M.S. No. 5 page
William Anthony
Congo, The Chimpanzee
Custer's Last Stand, from S.M.S. No. 5
1968
go to Neon Construction, from S.M.S. No. 6 page
Ronaldo Ferri
Neon Construction, from S.M.S. No. 6
1968
go to Untitled (Don’t tread on me / Don’t tempt me) page
Barbara Kruger
Untitled (Don’t tread on me / Don’t tempt me)
1989–90
go to Layout pattern for Precarious Support page
Werner Drewes
Layout pattern for Precarious Support
20th century
go to Untitled, from the portfolio White Noise page
Vik Muniz
Untitled, from the portfolio White Noise
1991
go to Untitled, from the portfolio White Noise page
Vik Muniz
Untitled, from the portfolio White Noise
1991
go to Untitled, from the portfolio White Noise page
Vik Muniz
Untitled, from the portfolio White Noise
1991
go to Ace of Diamonds, from the Playing Card Suite page
Salvador Dalí
Ace of Diamonds, from the Playing Card Suite
1971
go to Jack of Spades, from the Playing Card Suite page
Salvador Dalí
Jack of Spades, from the Playing Card Suite
1971
go to Ontological Fragment, from the Ontological Library page
Ronald Allen Leax
Ontological Fragment, from the Ontological Library
1990
go to Il Trovatore, from the portfolio The Metropolitan Opera Fine Art Collection II page
Sandro Chia
Il Trovatore, from the portfolio The Metropolitan Opera Fine Art Collection II
1983
go to Two Compositions (Formal/Informal; Interior/Exterior) page
John Baldessari
Two Compositions (Formal/Informal; Interior/Exterior)
1990
go to Study for Amerika-A Refuge page
Tim Rollins
Kids of Survival (K.O.S.)
Study for Amerika-A Refuge
1991
go to Head of Worker, from the series Bayonne page
Komar and Melamid
Head of Worker, from the series Bayonne
1989
go to Drawing for Max #2 (Sketchbook 13-1) page
Stuart Davis
Drawing for Max #2 (Sketchbook 13-1)
1932
go to The Scarlet Letter—The Prison Door (after Nathaniel Hawthorne) page
Tim Rollins
Kids of Survival (K.O.S.)
The Scarlet Letter—The Prison Door (after Nathaniel Hawthorne)
1992–93
go to La rivoluzione siamo Noi (We Are the Revolution) page
Joseph Beuys
La rivoluzione siamo Noi (We Are the Revolution)
1972
go to Interrogation, from the portfolio 10: Artist as Catalyst page
Leon Golub
Interrogation, from the portfolio 10: Artist as Catalyst
c. 1992
go to Red River #10, from the portfolio 10: Artist as Catalyst page
Andres Serrano
Red River #10, from the portfolio 10: Artist as Catalyst
c. 1992
go to Cure/Heal, from the portfolio 10: Artist as Catalyst page
Lorna Simpson
Cure/Heal, from the portfolio 10: Artist as Catalyst
published 1992
go to Boy with Baguettes, Les Saintes, 1992, from the portfolio France: Near and Far page
Ralph Gibson
Boy with Baguettes, Les Saintes, 1992, from the portfolio France: Near and Far
1992
go to Wine Bottle, Riberac, 1990, from the portfolio France: Near and Far page
Ralph Gibson
Wine Bottle, Riberac, 1990, from the portfolio France: Near and Far
1992
go to Red Poppy Field, Bourgogne, 1992, from the portfolio France: Near and Far page
Ralph Gibson
Red Poppy Field, Bourgogne, 1992, from the portfolio France: Near and Far
1992
go to The Old Cathedral and the Arch, from the portfolio St. Louis & the Arch page
Joel Meyerowitz
The Old Cathedral and the Arch, from the portfolio St. Louis & the Arch
1979–80
go to Untitled, from the portfolio Forgotten Forest page
Michael Eastman
Untitled, from the portfolio Forgotten Forest
1992
go to Architecture and Awning, Nice, 1992, from the portfolio France: Near and Far page
Ralph Gibson
Architecture and Awning, Nice, 1992, from the portfolio France: Near and Far
1992
go to La cardeuse (Woman Carding Wool) page
Jean-François Millet
La cardeuse (Woman Carding Wool)
1855–56
go to Anger, from the portfolio The Seven Deadly Sins page
William S. Burroughs
Anger, from the portfolio The Seven Deadly Sins
1991
go to Anger, from the portfolio The Seven Deadly Sins page
William S. Burroughs
Anger, from the portfolio The Seven Deadly Sins
1991
go to Lust, from the portfolio The Seven Deadly Sins page
William S. Burroughs
Lust, from the portfolio The Seven Deadly Sins
1991
go to Envy, from the portfolio The Seven Deadly Sins page
William S. Burroughs
Envy, from the portfolio The Seven Deadly Sins
1991
go to Daniel Boone Escorting Settlers Through the Cumberland Gap page
Claude Regnier
George Caleb Bingham
Daniel Boone Escorting Settlers Through the Cumberland Gap
1852
go to Rear View of the Pronaos of the Temple of Neptune, plate XIV, from the volume Different Views of Paestum page
Giovanni Battista Piranesi
Rear View of the Pronaos of the Temple of Neptune, plate XIV, from the volume Different Views of Paestum
1778
go to Untitled, from the portfolio Runaways page
Glenn Ligon
Untitled, from the portfolio Runaways
1993
go to Untitled, from the portfolio Runaways page
Glenn Ligon
Untitled, from the portfolio Runaways
1993
go to Untitled, from the portfolio Runaways page
Glenn Ligon
Untitled, from the portfolio Runaways
1993
go to Untitled, from the portfolio Runaways page
Glenn Ligon
Untitled, from the portfolio Runaways
1993
go to Paysage, Moulin (Butte Montmartre) page
Charles Émile Jacque
Paysage, Moulin (Butte Montmartre)
1848
go to Evacuation of the Jews, Skanderia, Sarajevo, Bosnia 1993, from the book Farewell to Bosnia page
Gilles Peress
Evacuation of the Jews, Skanderia, Sarajevo, Bosnia 1993, from the book Farewell to Bosnia
1994
go to Sick, Abandoned, Rwandan Hutu children in a dispensary, Goma, Zaire 1994, from the book The Silence, Chapter 2, Purgatory page
Gilles Peress
Sick, Abandoned, Rwandan Hutu children in a dispensary, Goma, Zaire 1994, from the book The Silence, Chapter 2, Purgatory
1994
go to Women in the courtyard of the main Mosque, Quom, Iran 1979, from the book Telex Iran page
Gilles Peress
Women in the courtyard of the main Mosque, Quom, Iran 1979, from the book Telex Iran
1979
go to A pro-Khomeni demonstration in a stadium, Tabriz, Iran 1979, from the book Telex Iran page
Gilles Peress
A pro-Khomeni demonstration in a stadium, Tabriz, Iran 1979, from the book Telex Iran
1979
go to The Years of Misery, from the series The East is Red page
Anonymous Members of a People’s Commune in Fatshan
The Years of Misery, from the series The East is Red
20th century
go to The Shanghai Massacre, from the series The East is Red page
Anonymous Members of a People’s Commune in Fatshan
The Shanghai Massacre, from the series The East is Red
20th century
go to Revolutionary Base in the Chingkang Mountains, from the series The East is Red page
Anonymous Members of a People’s Commune in Fatshan
Revolutionary Base in the Chingkang Mountains, from the series The East is Red
20th century
go to Friendship with Minority Peoples, from the series The East is Red page
Anonymous Members of a People’s Commune in Fatshan
Friendship with Minority Peoples, from the series The East is Red
20th century
go to Crossing the Tatu River, from the series The East is Red page
Anonymous Members of a People’s Commune in Fatshan
Crossing the Tatu River, from the series The East is Red
20th century
go to Joining Forces in North Shensi, from the series The East is Red page
Anonymous Members of a People’s Commune in Fatshan
Joining Forces in North Shensi, from the series The East is Red
20th century
go to Crossing the Yellow River, from the series The East is Red page
Anonymous Members of a People’s Commune in Fatshan
Crossing the Yellow River, from the series The East is Red
20th century
go to One More River to Cross, from the series The East is Red page
Anonymous Members of a People’s Commune in Fatshan
One More River to Cross, from the series The East is Red
20th century
go to The Chinese People Have Stood Up, from the series The East is Red page
Anonymous Members of a People’s Commune in Fatshan
The Chinese People Have Stood Up, from the series The East is Red
20th century
go to Biogenetics Lab Suite (Drosophila Morgue) page
Catherine Wagner
Biogenetics Lab Suite (Drosophila Morgue)
1994
go to Parking Lots (May Company, 6150 Laurel Canyon, North Hollywood) #7 page
Edward Ruscha
Parking Lots (May Company, 6150 Laurel Canyon, North Hollywood) #7
1967/1999
go to Gard à vous, blagueurs! portez arme! (Watch yourself, jokers! Carry arms!), published in La Caricature page
Unknown (French, 19th century)
Gard à vous, blagueurs! portez arme! (Watch yourself, jokers! Carry arms!), published in La Caricature
1830–35
go to Août 1830. (August 1830.), published in La Caricature page
Joseph-Louis-Hippolyte Bellangé
Août 1830. (August 1830.), published in La Caricature
1830–35
go to Scène diabolique. (Diabolic scene.), published in La Caricature page
W.B.
Scène diabolique. (Diabolic scene.), published in La Caricature
1830–35
go to L'adoration du Veau D'or. (Worship of the golden calf.), published in La Caricature page
Unknown (French, 19th century)
L'adoration du Veau D'or. (Worship of the golden calf.), published in La Caricature
1830–35
go to "Mes chers petits Parisiens..." ("My dear little Parisians..."), from La Charge page
Alfred Le Petit
"Mes chers petits Parisiens..." ("My dear little Parisians..."), from La Charge
n.d.
go to Le porc des Tuileries: "Adieu, mon étoile!" (The Pig of the Tuileries: 'Farewell, my star!'), from La Charge page
Alfred Le Petit
Le porc des Tuileries: "Adieu, mon étoile!" (The Pig of the Tuileries: 'Farewell, my star!'), from La Charge
7 May 1870
go to Chasse aux lièvres pour la table du Château. (Hare hunting for the Château's table.), published in Le Charivari page
Unknown
Chasse aux lièvres pour la table du Château. (Hare hunting for the Château's table.), published in Le Charivari
5 February 1835
go to – Je vous aimerais tant?.. (– I would love you so much?..), from the series A La Campagne (In the Countryside), published in Le Charivari page
E. Damourette
– Je vous aimerais tant?.. (– I would love you so much?..), from the series A La Campagne (In the Countryside), published in Le Charivari
n.d.
go to À Novare. (In Novare), from the series Actualités (Current Events), published in Le Charivari page
Charles Vernier
À Novare. (In Novare), from the series Actualités (Current Events), published in Le Charivari
22 June 1859
go to Comment!..... vous aussi, chevalier Véron, vous passez au camp des démagogues!...... (– What!..... You too, chevalier Véron, you are passing into the camp of the demagogues!.......), from the series Actualités (Current Events), published in Le Charivari page
Charles Vernier
Comment!..... vous aussi, chevalier Véron, vous passez au camp des démagogues!...... (– What!..... You too, chevalier Véron, you are passing into the camp of the demagogues!.......), from the series Actualités (Current Events), published in Le Charivari
17 July 1850
go to A Quatre heures du matin. (At Four in the Morning.), from the series Al Bal Masqué (At the Masquerade Ball), published in Le Charivari page
Edouard de Beaumont
A Quatre heures du matin. (At Four in the Morning.), from the series Al Bal Masqué (At the Masquerade Ball), published in Le Charivari
1843–66
go to Madame, savez-vous si Melle Lili dansera ce soir la Chachucha? (Madam, do you know whether Miss Lili will dance the Cachucha tonight?), No. 3 from the series Bétises (Foolishness), published in Le Charivari page
Auguste Bourdet
Madame, savez-vous si Melle Lili dansera ce soir la Chachucha? (Madam, do you know whether Miss Lili will dance the Cachucha tonight?), No. 3 from the series Bétises (Foolishness), published in Le Charivari
27 February 1837
go to Je suis comme vous, mon cher ami, (I am like you, my dear friend,), from the series le Chapitre des illusions (The Chapter of Illusions), published in Le Charivari page
Fréderic Bouchot
Je suis comme vous, mon cher ami, (I am like you, my dear friend,), from the series le Chapitre des illusions (The Chapter of Illusions), published in Le Charivari
after 1839
go to De Marrast, Ecrivain fin, piquant et nerveux (See the large head of hair of Marrast, a keen, sharp and nervous writer), from the series Panthéon Charivarique (Grotesque Pantheon), published in Le Charivari page
Benjamin Roubaud
De Marrast, Ecrivain fin, piquant et nerveux (See the large head of hair of Marrast, a keen, sharp and nervous writer), from the series Panthéon Charivarique (Grotesque Pantheon), published in Le Charivari
20 May 1842
go to Marie Amélie, dont le coeur maternel saignait à l'idée des horreurs du Mont St. Michel (Marie Amélie, whose maternal heart bled at the idea of the horrors of Mont St. Michel), from the series Série politique (Political Series), published in La Mode page
A. Casati
Marie Amélie, dont le coeur maternel saignait à l'idée des horreurs du Mont St. Michel (Marie Amélie, whose maternal heart bled at the idea of the horrors of Mont St. Michel), from the series Série politique (Political Series), published in La Mode
18 March 1834
go to Pauvre sergent-major! (Poor Sargent Major!), No. 21 from the series Tribulations de la Garde Nationale (Tribulations of the National Guard), published in Le Charivari page
Fréderic Bouchot
Pauvre sergent-major! (Poor Sargent Major!), No. 21 from the series Tribulations de la Garde Nationale (Tribulations of the National Guard), published in Le Charivari
25 September 1836
go to Le Fourniment. (Supplies.), No. 6 from the series Tribulations de la Garde Nationale (Tribulations of the National Guard), published in Le Charivari page
Fréderic Bouchot
Le Fourniment. (Supplies.), No. 6 from the series Tribulations de la Garde Nationale (Tribulations of the National Guard), published in Le Charivari
23 July 1835
go to Retour de la foire de St. Cloud, sur l'air du Larifla (Returning from the St. Cloud fair, playing the tune Lairfla), from the series A La Campagne (In the Countryside), published in Le Charivari page
Edouard de Beaumont
Retour de la foire de St. Cloud, sur l'air du Larifla (Returning from the St. Cloud fair, playing the tune Lairfla), from the series A La Campagne (In the Countryside), published in Le Charivari
1843–66
go to — Mossieure le maire ayant défendu qu'on ne se baigne en cet endroit (—The Mayor having forbidden swimming at this location), from the series A La Campagne (In the Countryside), published in Le Charivari page
Edouard de Beaumont
— Mossieure le maire ayant défendu qu'on ne se baigne en cet endroit (—The Mayor having forbidden swimming at this location), from the series A La Campagne (In the Countryside), published in Le Charivari
30 August 1850
go to —Tiens, c’est un artiste!.....il dort. (—Look, it’s an artist!...he is sleeping.), from the series A La Campagne (In the Countryside), published in Le Charivari page
Edouard de Beaumont
—Tiens, c’est un artiste!.....il dort. (—Look, it’s an artist!...he is sleeping.), from the series A La Campagne (In the Countryside), published in Le Charivari
10 May 1850
go to Étudiant et Etudiante.. (Male student and female student..), from the series Comme on Dine à Paris (How to Dine in Paris), published in Le Charivari page
Charles Joseph Traviès de Villers
Étudiant et Etudiante.. (Male student and female student..), from the series Comme on Dine à Paris (How to Dine in Paris), published in Le Charivari
after 1841
go to – Ces pauvres gens, ont-ils chaud!..... (–Those poor people, aren’t they hot!.....), from the series Croquis du Jour (Sketch of the Day), published in Le Charivari page
Fréderic Bouchot
– Ces pauvres gens, ont-ils chaud!..... (–Those poor people, aren’t they hot!.....), from the series Croquis du Jour (Sketch of the Day), published in Le Charivari
14 August 1849
go to "Ma maison a toujours été renommée pour la rigidité de ses mœurs (My business has always been renowned for the rigidity of its mores.), from the series Fariboles (Nonsense), published in Le Charivari page
Unknown (French, 19th century)
"Ma maison a toujours été renommée pour la rigidité de ses mœurs (My business has always been renowned for the rigidity of its mores.), from the series Fariboles (Nonsense), published in Le Charivari
n.d.
go to "Oui, ma chère, c'est un vrai Prince Russe… (Yes, my dear, he is a real Russian Prince….), from the series Fariboles (Nonsense), published in Le Charivari page
Unknown (French, 19th century)
"Oui, ma chère, c'est un vrai Prince Russe… (Yes, my dear, he is a real Russian Prince….), from the series Fariboles (Nonsense), published in Le Charivari
n.d.
go to C'est pourtant vrai… c'est bien mon portrait que vous avez fait là en deux minutes… (It’s true though...it’s really my portrait that you did here in two minutes...), from the series Fariboles (Nonsense), published in Le Charivari page
Edouard de Beaumont
C'est pourtant vrai… c'est bien mon portrait que vous avez fait là en deux minutes… (It’s true though...it’s really my portrait that you did here in two minutes...), from the series Fariboles (Nonsense), published in Le Charivari
14 October 1848
go to Patience mon petit! (Be patient, little one!), from the series Actualités (Current Events) page
no image
J. Platier
Patience mon petit! (Be patient, little one!), from the series Actualités (Current Events)
1830–35
go to La bourse. (The Stock Market.), from the series Les Quartiers de Paris (The Neighborhoods of Paris), published in Le Charivari page
Fréderic Bouchot
La bourse. (The Stock Market.), from the series Les Quartiers de Paris (The Neighborhoods of Paris), published in Le Charivari
19 January 1845
go to Une Leçon de Danse. (A Dance Lesson.), from the series Les Quartiers de Paris (The Neighborhoods of Paris), published in Le Charivari page
Fréderic Bouchot
Une Leçon de Danse. (A Dance Lesson.), from the series Les Quartiers de Paris (The Neighborhoods of Paris), published in Le Charivari
n.d.
go to Grâce à l'invention d'un Lampo blago - poèle (Thanks to the invention of the Lampo blago- stove), from the series Prophéties Charivariques (Charivaric Prophecies), published in Le Charivari page
Quillenbois Charles Marie de Sarcus
Grâce à l'invention d'un Lampo blago - poèle (Thanks to the invention of the Lampo blago- stove), from the series Prophéties Charivariques (Charivaric Prophecies), published in Le Charivari
after 1841
go to D'ou venez vous? (Whence come you?), from the series Illustrations de la Gazette des Tribunaux (Illustrations of the Courts' Gazette) page
Unknown
D'ou venez vous? (Whence come you?), from the series Illustrations de la Gazette des Tribunaux (Illustrations of the Courts' Gazette)
1852–70
go to Les pierres si renommées de Carnac, vous font faire un détour que vous (The famous stones of Carnac take you on a detour that you....) page
A.D.
Les pierres si renommées de Carnac, vous font faire un détour que vous (The famous stones of Carnac take you on a detour that you....)
after 1857
go to Faut boire du cidre, pas trop n'en faut! (One must drink cider, but not too much!) page
A.D.
Faut boire du cidre, pas trop n'en faut! (One must drink cider, but not too much!)
after 1857
go to Vois à quelle pluie nous csommes exposés (Look at what kind of rain we are exposed), from the series Revue Politique (Political Review), published in La Mode page
Clément Pruche
Vois à quelle pluie nous csommes exposés (Look at what kind of rain we are exposed), from the series Revue Politique (Political Review), published in La Mode
5 October 1844
go to "Voilà le plus bel ouvrage de la France" ("This is the most beautiful artwork wrought by France"), published in La Mode page
Jacquede
"Voilà le plus bel ouvrage de la France" ("This is the most beautiful artwork wrought by France"), published in La Mode
March 20, 1835
go to France. Espagne (France. Spain), published in La Mode page
Unknown
France. Espagne (France. Spain), published in La Mode
25 May 1835
go to La question dort. (The Question is sleeping.), from the series Question d'Orient (The Orient Question), published in La Mode page
Unknown (French, 19th century)
La question dort. (The Question is sleeping.), from the series Question d'Orient (The Orient Question), published in La Mode
5 October 1839
go to Tu raisonnes, je crois! (You're reasoning, I believe!), from the journal Miroir (Mirror) page
Edmé Jean Pigal
Tu raisonnes, je crois! (You're reasoning, I believe!), from the journal Miroir (Mirror)
1822
go to Chapelle près d'Alvarel. (Chapel near Alvarel.) page
Unknown
Chapelle près d'Alvarel. (Chapel near Alvarel.)
n.d.
go to La République saura bien leur échapper… (The Republic will find a way to break away from them...), from the series Actualité (Current Events) page
Unknown (French, 19th century)
La République saura bien leur échapper… (The Republic will find a way to break away from them...), from the series Actualité (Current Events)
n.d.
go to Scène arrivée dans le Parc de St. Cloud (Scene that happened in the St. Cloud Park), from the series Adieux de St. Cloud pour faire pendant aux Adieux de Fontaineblau (The Farewells of St. Cloud Made during Fontaineblau's Farewells) page
Unknown
Scène arrivée dans le Parc de St. Cloud (Scene that happened in the St. Cloud Park), from the series Adieux de St. Cloud pour faire pendant aux Adieux de Fontaineblau (The Farewells of St. Cloud Made during Fontaineblau's Farewells)
n.d.
go to "On nous avait laissé là avec l'ordre de vous faire sauter tous…." (-We were left here with the order to blow you up….), from the series Nos Troupiers en Orient (Our Soldiers in the Orient) page
Unknown (French, 19th century)
"On nous avait laissé là avec l'ordre de vous faire sauter tous…." (-We were left here with the order to blow you up….), from the series Nos Troupiers en Orient (Our Soldiers in the Orient)
n.d.
go to La grande bataille du 21 aôut 1881 (The Great Battle of August 21, 1881) page
Unknown (French, 19th century)
La grande bataille du 21 aôut 1881 (The Great Battle of August 21, 1881)
1881
go to Notre futur archivique (Our Future Archbishop) page
Unknown (French, 19th century)
Notre futur archivique (Our Future Archbishop)
late 19th century
go to L'EXTASE************(THE ECSTASY), from the series Pasquinade (Raillery) page
Henry Illegible
L'EXTASE************(THE ECSTASY), from the series Pasquinade (Raillery)
February 1831
go to Gare, dessus et dessous! (Watch out, above and below!) page
Julius I Adam
Gare, dessus et dessous! (Watch out, above and below!)
n.d.
go to Rentrées des classes, (First day of class,), published in Le Feuilleton de Paris (The Parisian Periodical) page
Fréderic Bouchot
Rentrées des classes, (First day of class,), published in Le Feuilleton de Paris (The Parisian Periodical)
15 October 1849
go to Sans les Cosaques j'aurais pourtant pas encore étrenné, moi. (Without the Cossacks I still would not have been initiated, me.), from the series Les Bigarrures de l'esprit humain (The Colorful Shades of the Human Mind) page
Auguste Bourdet
Sans les Cosaques j'aurais pourtant pas encore étrenné, moi. (Without the Cossacks I still would not have been initiated, me.), from the series Les Bigarrures de l'esprit humain (The Colorful Shades of the Human Mind)
n.d.
go to Homme étonnant!!! (Amazing man!!!), from the series Cours de Droit (Law Course) page
Étienne Carjat
Homme étonnant!!! (Amazing man!!!), from the series Cours de Droit (Law Course)
before 1841
go to Et mon ingénieux époux viendra me dire qu'il a passé cette soirée avec toi….. (And my ingenious spouse will come tell me that he has spent the evening with you…..), from the series Fourberies des Hommes (Deceit of Men) page
E. Damourette
Et mon ingénieux époux viendra me dire qu'il a passé cette soirée avec toi….. (And my ingenious spouse will come tell me that he has spent the evening with you…..), from the series Fourberies des Hommes (Deceit of Men)
n.d.
go to Premières armes de deux jeunes gueux…. (First exercises of two young beggars….), from the series Les Gueux (The Beggars) page
E. Damourette
Premières armes de deux jeunes gueux…. (First exercises of two young beggars….), from the series Les Gueux (The Beggars)
n.d.
go to Les paresseuses. (Lazy Women.), from the series La Lanterne Magique (The Magic Lantern) page
Victor Dollet
Les paresseuses. (Lazy Women.), from the series La Lanterne Magique (The Magic Lantern)
1868–69
go to Ça glisse tout seul maintenant (She is Skating through Beautifully Now) page
Gustave Frison
Ça glisse tout seul maintenant (She is Skating through Beautifully Now)
1850
go to Les irréguliers du Figaro. (The Figaro Irregulars.) page
André Gill
Les irréguliers du Figaro. (The Figaro Irregulars.)
24 May 1868
go to – R[i]entière, dites-vous?" (– A person who is independently wealthy, you say?), from the series A la mer (By the Sea) page
Alfred Grévin
– R[i]entière, dites-vous?" (– A person who is independently wealthy, you say?), from the series A la mer (By the Sea)
n.d.
go to Propos Enfantins (Baby Talk), from the series A l'opéra (At the Opera) page
Alfred Grévin
Propos Enfantins (Baby Talk), from the series A l'opéra (At the Opera)
n.d.
go to – Monsieur, je vous prie très-sérieusement de passer votre chemin; je suis une honnête femme! (– Sir, I beg you very seriously to pass me by and go your way; I am an honest woman!), from the series Fantaisies Parisiennes (Parisian Fantasies) page
Alfred Grévin
– Monsieur, je vous prie très-sérieusement de passer votre chemin; je suis une honnête femme! (– Sir, I beg you very seriously to pass me by and go your way; I am an honest woman!), from the series Fantaisies Parisiennes (Parisian Fantasies)
n.d.
go to Dans Breda-Street (On Breda-Street), from the series Fantaisies Parisiennes (Parisian Fantasies) page
Alfred Grévin
Dans Breda-Street (On Breda-Street), from the series Fantaisies Parisiennes (Parisian Fantasies)
n.d.
go to – Si je connais Brrrébant! Il me demande si je connais Brrrébant! (– If I know Brrrebant! He's asking me if I know Brrrebant!), from the series Fantaisies Parisiennes (Parisian Fantasies) page
Alfred Grévin
– Si je connais Brrrébant! Il me demande si je connais Brrrébant! (– If I know Brrrebant! He's asking me if I know Brrrebant!), from the series Fantaisies Parisiennes (Parisian Fantasies)
n.d.
go to Le retour de la campagne à Paris. (Returning from the country to Paris) page
V. Klurs
Le retour de la campagne à Paris. (Returning from the country to Paris)
n.d.
go to “Soyez tranquilles, Messieurs, il y en aura pour tous.” (“Rest assured, Gentlemen, there will be enough for everyone.”) page
L. C.
“Soyez tranquilles, Messieurs, il y en aura pour tous.” (“Rest assured, Gentlemen, there will be enough for everyone.”)
n.d.
go to Gambetta, from the series Fleurs, Fruits & Légumes du Jour (Flowers, Fruit and Vegetables of the Day) page
Alfred Le Petit
Gambetta, from the series Fleurs, Fruits & Légumes du Jour (Flowers, Fruit and Vegetables of the Day)
n.d.
go to Le reveil du lion (The Awakening of the lion), from the series Revue Caricaturale (Caricatural Review) page
Alfred Le Petit
Le reveil du lion (The Awakening of the lion), from the series Revue Caricaturale (Caricatural Review)
after 1841
go to Tu peux lui parler en main propre (You can talk to him directly) page
Auguste Charles Lemoine
Tu peux lui parler en main propre (You can talk to him directly)
n.d.
go to Eh ben mon petit Chwazemmuff (Well, my little Chwazemmuff), from the series Les petits Agioteurs (The Little Speculators) page
Célestin François Nanteuil
Eh ben mon petit Chwazemmuff (Well, my little Chwazemmuff), from the series Les petits Agioteurs (The Little Speculators)
n.d.
go to Liberté illimitée de la Presse. (Unlimited Freedom of the Press.) page
J. Petit
Liberté illimitée de la Presse. (Unlimited Freedom of the Press.)
n.d.
go to Mords-le, faro!..... (Bite him, faro!.....), plate 13 from Scènes populaires (Scenes from Daily Life) page
Edmé Jean Pigal
Mords-le, faro!..... (Bite him, faro!.....), plate 13 from Scènes populaires (Scenes from Daily Life)
c. 1825
go to Ohe! c'te farce. (Hullo! it's a prank.), plate 22 from Scènes populaires (Scenes from Daily Life) page
Edmé Jean Pigal
Ohe! c'te farce. (Hullo! it's a prank.), plate 22 from Scènes populaires (Scenes from Daily Life)
c. 1825
go to Queq'tu veux, Gringalet? (Whatcha want, Weakling?), plate 8 from Scènes populaires (Scenes from Daily Life) page
Edmé Jean Pigal
Queq'tu veux, Gringalet? (Whatcha want, Weakling?), plate 8 from Scènes populaires (Scenes from Daily Life)
c. 1825
go to Tu sais c'qu'on t'dit? (You know what we tell you?), plate 33 from Scènes populaires (Scenes from Daily Life) page
Edmé Jean Pigal
Tu sais c'qu'on t'dit? (You know what we tell you?), plate 33 from Scènes populaires (Scenes from Daily Life)
c. 1825
go to Savez-vous lire? (Do you know how to read?), plate 27 from Scènes populaires (Scenes from Daily Life) page
Edmé Jean Pigal
Savez-vous lire? (Do you know how to read?), plate 27 from Scènes populaires (Scenes from Daily Life)
c. 1825
go to Un véritable ami de la saine littérature.. (A true friend of healthy literature.), from the series La Vie Littéraire (Literary Life), published in Le Charivari page
no image
Charles Joseph Traviès de Villers
Un véritable ami de la saine littérature.. (A true friend of healthy literature.), from the series La Vie Littéraire (Literary Life), published in Le Charivari
27 October 1845
go to "Dites donc Mlle. Agathe vous rappelez vous la fine matelotte, au Cadran bleu" (Say, Miss Agathe, do you remember the fine matelote, at the Cadran bleu), from the series Revue Comique (comical review) page
J. Platier
"Dites donc Mlle. Agathe vous rappelez vous la fine matelotte, au Cadran bleu" (Say, Miss Agathe, do you remember the fine matelote, at the Cadran bleu), from the series Revue Comique (comical review)
after 1841
go to C'est comme moi mamezelle Durosier (It is like me, Missy Durosier,) page
Clément Pruche
C'est comme moi mamezelle Durosier (It is like me, Missy Durosier,)
after 1839
go to "Mon Papa! nous ne voulons plus faire 'portez armes!'" (Dad! we don't want to do "arms at the ready" anymore!), from the series Actualités (Current Events) page
Clément Pruche
"Mon Papa! nous ne voulons plus faire 'portez armes!'" (Dad! we don't want to do "arms at the ready" anymore!), from the series Actualités (Current Events)
n.d.
go to C'est bon pour plaisanter!!.... (It's fine to be joking!!....), from the series Actualités (Current Events) page
Clément Pruche
C'est bon pour plaisanter!!.... (It's fine to be joking!!....), from the series Actualités (Current Events)
n.d.
go to Les coucous (The Cuckoos), from the series Les Désagréments de Paris, No. 6 (The Inconvenience of Parisian Life, No. 6) page
Clément Pruche
Les coucous (The Cuckoos), from the series Les Désagréments de Paris, No. 6 (The Inconvenience of Parisian Life, No. 6)
after 1839
go to L'avarice. (Stinginess), from the series Les Sept Pêchés Capitaux (The Seven Deadly Sins) page
Clément Pruche
L'avarice. (Stinginess), from the series Les Sept Pêchés Capitaux (The Seven Deadly Sins)
n.d.
go to Il se fit faire des bottes vernies trop étroites. (The elegant boots he had made for himself were too small), from La Lanterne Magique: Histoire d'un Jeune Homme comme Il Faut. (Suite.) (The Magic Lantern: Story of a Proper Young Man (Continues) page
Quillenbois Charles Marie de Sarcus
Il se fit faire des bottes vernies trop étroites. (The elegant boots he had made for himself were too small), from La Lanterne Magique: Histoire d'un Jeune Homme comme Il Faut. (Suite.) (The Magic Lantern: Story of a Proper Young Man (Continues)
1868–69 (?)
go to Etant parvenu à exécuter sur la trompe (Having been able to perform the air, on the horn), from the series La Lanterne Magique: Histoire d'un Jeune Homme comme Il Faut. (Suite.) (The Magic Lantern: Story of a Proper Young Man (Continues) page
Quillenbois Charles Marie de Sarcus
Etant parvenu à exécuter sur la trompe (Having been able to perform the air, on the horn), from the series La Lanterne Magique: Histoire d'un Jeune Homme comme Il Faut. (Suite.) (The Magic Lantern: Story of a Proper Young Man (Continues)
1868–69 (?)
go to Le lion parisien aimera toujours à se déguiser en Turc chez lui. (The Parisian lion will always like to dress as a Turk at home.), from the series Prophéties Charivariques (Grotesque Prophecies) page
Quillenbois Charles Marie de Sarcus
Le lion parisien aimera toujours à se déguiser en Turc chez lui. (The Parisian lion will always like to dress as a Turk at home.), from the series Prophéties Charivariques (Grotesque Prophecies)
after 1841
go to Au dire des vieillards blanchis par l'expérience (According to old men whitened by experience), from the series La Lanterne Magique: Histoire d'un Jeune Homme comme Il Faut. (Suite.) (The Magic Lantern: Story of a Proper Young Man (Continues) page
Quillenbois Charles Marie de Sarcus
Au dire des vieillards blanchis par l'expérience (According to old men whitened by experience), from the series La Lanterne Magique: Histoire d'un Jeune Homme comme Il Faut. (Suite.) (The Magic Lantern: Story of a Proper Young Man (Continues)
1868–69 (?)
go to "D'abord la peau il est petite, (First the skin is small,) page
Randon
"D'abord la peau il est petite, (First the skin is small,)
n.d.
go to "Si le fil de mes jours était aussi bien entre vos mains……" (If the thread of my days were as well between your hands……) page
Randon
"Si le fil de mes jours était aussi bien entre vos mains……" (If the thread of my days were as well between your hands……)
n.d.
go to Visite a Madame la France. (Visit to Mrs. France.) page
Rigobert
Visite a Madame la France. (Visit to Mrs. France.)
n.d.
go to "Dis donc, un conseil?" ("Hey, can I have your advice?"), from the series Littérature page
Albert Robida
"Dis donc, un conseil?" ("Hey, can I have your advice?"), from the series Littérature
c. 1880s
go to "En v'la-t-il un qu'est entrepreneur ….., le sargent !....... l'est'-y !.... l'est'-y !!!....." (There's one that's an entrepreneur …., the sargeant !........ aint he!.... aint he!!!.....), from the series Au Mexique (In Mexico) page
Charles Vernier
"En v'la-t-il un qu'est entrepreneur ….., le sargent !....... l'est'-y !.... l'est'-y !!!....." (There's one that's an entrepreneur …., the sargeant !........ aint he!.... aint he!!!.....), from the series Au Mexique (In Mexico)
n.d.
go to "Qu'est-ce-que c'est que ça?...." (What's this?....), from the series Nos Troupiers en Orient (Our Soldiers in the Orient) page
Charles Vernier
"Qu'est-ce-que c'est que ça?...." (What's this?....), from the series Nos Troupiers en Orient (Our Soldiers in the Orient)
n.d.
go to "Fameux!.... encore une de nos billes qui a bien touché….." (Great!.... one more of our marbles that attained its target…..), from the series Nos Troupiers en Orient (Our Soldiers in the Orient) page
Charles Vernier
"Fameux!.... encore une de nos billes qui a bien touché….." (Great!.... one more of our marbles that attained its target…..), from the series Nos Troupiers en Orient (Our Soldiers in the Orient)
n.d.
go to "Par suite d'une fausse interprétation de mes ordres…" (As a result of a wrong interpretation of my orders……), from the series Nos Troupiers en Orient (Our Soldiers in the Orient) page
Charles Vernier
"Par suite d'une fausse interprétation de mes ordres…" (As a result of a wrong interpretation of my orders……), from the series Nos Troupiers en Orient (Our Soldiers in the Orient)
n.d.
go to "Enfin, je tiens donc un Montagnard écossais……… (At last, I got hold of a Scottish highlander………), from the series Nos Troupiers en Orient (Our Soldiers in the Orient) page
Charles Vernier
"Enfin, je tiens donc un Montagnard écossais……… (At last, I got hold of a Scottish highlander………), from the series Nos Troupiers en Orient (Our Soldiers in the Orient)
n.d.
go to Les Députés du Congrès de la Paix au Camp Russe (The deputies of the peace congress at the Russian camp), from the series Actualités (Current Events), published in Le Charivari page
Charles Vernier
Les Députés du Congrès de la Paix au Camp Russe (The deputies of the peace congress at the Russian camp), from the series Actualités (Current Events), published in Le Charivari
n.d.
go to Triomphe de la Cuisine Française (Triumph of French cuisine ), from the series Nos Troupiers en Orient (Our Soldiers in the Orient) page
Charles Vernier
Triomphe de la Cuisine Française (Triumph of French cuisine ), from the series Nos Troupiers en Orient (Our Soldiers in the Orient)
n.d.
go to My Kingdom Is the Right Size, from The King of Solana Beach page
Eleanor Antin
My Kingdom Is the Right Size, from The King of Solana Beach
1974
go to New Inn Broadway, from Portrait series page
Wolfgang Tillmans
New Inn Broadway, from Portrait series
1997
go to Plate / Piece for Untitled (Two Shirts) page
Nick Cave
Plate / Piece for Untitled (Two Shirts)
2000
go to Museum für Völkerkunde Dresden I (Museum of Ethnography Dresden I) page
Candida Höfer
Museum für Völkerkunde Dresden I (Museum of Ethnography Dresden I)
1999
go to Ertan Dam, Downstream Side, Panzhihua (Sichuan), China page
Armin Linke
Ertan Dam, Downstream Side, Panzhihua (Sichuan), China
1998
go to IV, from the portfolio Max Bill 16 Constellations page
Max Bill
IV, from the portfolio Max Bill 16 Constellations
1974
go to V, from the portfolio Max Bill 16 Constellations page
Max Bill
V, from the portfolio Max Bill 16 Constellations
1974
go to X, from the portfolio Max Bill 16 Constellations page
Max Bill
X, from the portfolio Max Bill 16 Constellations
1974
go to XIII, from the portfolio Max Bill 16 Constellations page
Max Bill
XIII, from the portfolio Max Bill 16 Constellations
1974
go to Untitled, from the portfolio The New York Collection for Stockholm page
Robert Breer
Untitled, from the portfolio The New York Collection for Stockholm
1973
go to Untitled, from the portfolio The New York Collection for Stockholm page
Jim Dine
Untitled, from the portfolio The New York Collection for Stockholm
1973
go to Untitled, from the portfolio The New York Collection for Stockholm page
Ellsworth Kelly
Untitled, from the portfolio The New York Collection for Stockholm
1973
go to Untitled, from the portfolio The New York Collection for Stockholm page
Kenneth Noland
Untitled, from the portfolio The New York Collection for Stockholm
1973
go to Untitled, from the portfolio The New York Collection for Stockholm page
Nam June Paik
Untitled, from the portfolio The New York Collection for Stockholm
1973
go to Untitled, from the portfolio The New York Collection for Stockholm page
James Rosenquist
Untitled, from the portfolio The New York Collection for Stockholm
1973
go to Untitled, Robe for the Korean Olympics page
Jim Dine
Untitled, Robe for the Korean Olympics
1988
go to Modern House at Tejon, plate 514 from The North American Indian page
Edward Sheriff Curtis
Modern House at Tejon, plate 514 from The North American Indian
1924
go to Digueño House at Santa Ysabel, plate 531 from The North American Indian page
Edward Sheriff Curtis
Digueño House at Santa Ysabel, plate 531 from The North American Indian
1924
go to An Isleta Man, plate 549 from The North American Indian page
Edward Sheriff Curtis
An Isleta Man, plate 549 from The North American Indian
1925
go to Tablita Dancers and Singers – San Idelfonso, plate 588 from The North American Indian page
Edward Sheriff Curtis
Tablita Dancers and Singers – San Idelfonso, plate 588 from The North American Indian
1905
go to Washing Wheat–San Juan, plate 594 from The North American Indian page
Edward Sheriff Curtis
Washing Wheat–San Juan, plate 594 from The North American Indian
1905
go to Packs Wolf as Numak-mahana—Mandan page
Edward Sheriff Curtis
Packs Wolf as Numak-mahana—Mandan
1908
go to Ground Plan of Arikara Medicine-lodge page
Edward Sheriff Curtis
Ground Plan of Arikara Medicine-lodge
1909
go to Contents of Arikara Tribal Medicine Bundle page
Edward Sheriff Curtis
Contents of Arikara Tribal Medicine Bundle
1908
go to Arikara Medicine Ceremony—Night Men Dancing page
Edward Sheriff Curtis
Arikara Medicine Ceremony—Night Men Dancing
1908
go to Priests Passing before the Pipe—Cheyenne page
Edward Sheriff Curtis
Priests Passing before the Pipe—Cheyenne
1910
go to Camp of the Root Diggers—Yakima page
Edward Sheriff Curtis
Camp of the Root Diggers—Yakima
1909
go to Warrior's Feather Head-dress—Cowichan page
Edward Sheriff Curtis
Warrior's Feather Head-dress—Cowichan
1912
go to Watching for the Salmon—Quinault page
Edward Sheriff Curtis
Watching for the Salmon—Quinault
1912
go to Kwaustums Village, Gilford Island page
Edward Sheriff Curtis
Kwaustums Village, Gilford Island
1914
go to Mamalelekala Cemetery on Village Island page
Edward Sheriff Curtis
Mamalelekala Cemetery on Village Island
1914
go to Ceremonial Preparation for Whaling page
Edward Sheriff Curtis
Ceremonial Preparation for Whaling
1915
go to Sikyaletstiwa—Shipaulovi Snake Chief page
Edward Sheriff Curtis
Sikyaletstiwa—Shipaulovi Snake Chief
1907
go to Depositing Snakes in the Circle of Meal page
Edward Sheriff Curtis
Depositing Snakes in the Circle of Meal
1906
go to Flute Dancers Returning to Walpi page
Edward Sheriff Curtis
Flute Dancers Returning to Walpi
1905
go to Flute Dancers Returning to Walpi page
Edward Sheriff Curtis
Flute Dancers Returning to Walpi
1905
go to Sticks Used in Hupa Guessing Game page
Edward Sheriff Curtis
Sticks Used in Hupa Guessing Game
1923
go to White Deerskin Dance Costume—Hupa page
Edward Sheriff Curtis
White Deerskin Dance Costume—Hupa
1923
go to Fishing for Smelt in the Surf—Trinidad Yurok page
Edward Sheriff Curtis
Fishing for Smelt in the Surf—Trinidad Yurok
1923
go to Old Sweat-house Walls at Orleans Bar—Karok page
Edward Sheriff Curtis
Old Sweat-house Walls at Orleans Bar—Karok
1923
go to Conception Rock near Ukiah—Pomo page
Edward Sheriff Curtis
Conception Rock near Ukiah—Pomo
1924
go to Coast Pomo with Feather Head-dress page
Edward Sheriff Curtis
Coast Pomo with Feather Head-dress
1924
go to Site of a Prehistoric Village—Cahuilla page
Edward Sheriff Curtis
Site of a Prehistoric Village—Cahuilla
1924
go to Summer Shelter at Campo—Diegueno page
Edward Sheriff Curtis
Summer Shelter at Campo—Diegueno
1924
go to Bob Lowry—Pyramid Lake Paviotso page
Edward Sheriff Curtis
Bob Lowry—Pyramid Lake Paviotso
1924
go to Phallic Rock Painting at Walker Lake page
Edward Sheriff Curtis
Phallic Rock Painting at Walker Lake
1924
go to Native Conception of a Kopishtaia with Mask and Tablita—Acoma page
Edward Sheriff Curtis
Native Conception of a Kopishtaia with Mask and Tablita—Acoma
1926
go to Native Conception of Histiani-kowasutyi ("Flint Wing"), the Thunderbird—Acoma page
Edward Sheriff Curtis
Native Conception of Histiani-kowasutyi ("Flint Wing"), the Thunderbird—Acoma
1926
go to Procession of San Estevan—Acoma (A) page
Edward Sheriff Curtis
Procession of San Estevan—Acoma (A)
1904
go to Tablita Dance—San Ildefonso (C) page
Edward Sheriff Curtis
Tablita Dance—San Ildefonso (C)
1905
go to Tablita Dance—San Ildefonso (C) page
Edward Sheriff Curtis
Tablita Dance—San Ildefonso (C)
1905
go to Yan-tse ("Willow Yellow")—Nambe page
Edward Sheriff Curtis
Yan-tse ("Willow Yellow")—Nambe
1905
go to Agoyo-tsa" ("Star White")—Santa Clara page
Edward Sheriff Curtis
Agoyo-tsa" ("Star White")—Santa Clara
1905
go to Shrine and Effigies of the Elder War-god on Corn Mountain—Zuni page
Edward Sheriff Curtis
Shrine and Effigies of the Elder War-god on Corn Mountain—Zuni
1925
go to Mawinehikis ("Tries-to-excel")—Cree page
Edward Sheriff Curtis
Mawinehikis ("Tries-to-excel")—Cree
1926
go to Offerings in the Sun Lodge—Piegan page
Edward Sheriff Curtis
Offerings in the Sun Lodge—Piegan
1926
go to Interior of Wichita Grass-house page
Edward Sheriff Curtis
Interior of Wichita Grass-house
1927
go to Hivihhnihpoih Society, Cheyenne Sun Dance page
Edward Sheriff Curtis
Hivihhnihpoih Society, Cheyenne Sun Dance
1927
go to Hefata"yu Society, Cheyenne Sun Dance page
Edward Sheriff Curtis
Hefata"yu Society, Cheyenne Sun Dance
1927
go to Hefata"yu Society, Cheyenne Sun Dance page
Edward Sheriff Curtis
Hefata"yu Society, Cheyenne Sun Dance
1927
go to Interior of Sun Dance Lodge—Cheyenne page
Edward Sheriff Curtis
Interior of Sun Dance Lodge—Cheyenne
1927
go to Deer Society, Animal Dance—Cheyenne page
Edward Sheriff Curtis
Deer Society, Animal Dance—Cheyenne
1927
go to Abandoned farmhouse near Molteno, Eastern Cape page
David Goldblatt
Abandoned farmhouse near Molteno, Eastern Cape
25 February 2006
go to In the Katkat Valley, near Fort Beaufort page
David Goldblatt
In the Katkat Valley, near Fort Beaufort
23 February 2006
go to Sinjereli Variation Squared with Colored Ground IV, proof for the series Sinjereli Variations Squared with Colored Grounds page
Frank Stella
Sinjereli Variation Squared with Colored Ground IV, proof for the series Sinjereli Variations Squared with Colored Grounds
1980
go to Jean Cocteau and the Sphinx, Les Baux de Provence, from the portfolio Selected Images page
Lucien Clergue
Jean Cocteau and the Sphinx, Les Baux de Provence, from the portfolio Selected Images
1959
go to Two Zebra Nudes, New York, from the portfolio Selected Images page
Lucien Clergue
Two Zebra Nudes, New York, from the portfolio Selected Images
2005
go to Nude on a Beach, Camargue, from the portfolio Selected Images page
Lucien Clergue
Nude on a Beach, Camargue, from the portfolio Selected Images
1971
go to Mrs. Carlo Bilotti and Daughter page
Andy Warhol
Mrs. Carlo Bilotti and Daughter
December 1980
go to David Rocksavage and Unidentified Woman page
Andy Warhol
David Rocksavage and Unidentified Woman
1982
go to China: Jeffrey Deitch and Unidentified Woman page
Andy Warhol
China: Jeffrey Deitch and Unidentified Woman
1982
go to Birds, Bloody Foreland, Donegal, 1967, from the portfolio Selected Images of Ireland page
Alen MacWeeney
Birds, Bloody Foreland, Donegal, 1967, from the portfolio Selected Images of Ireland
2007
go to Bridesmaid Dresses, Aran Islands, from the portfolio Selected Images of Ireland page
Alen MacWeeney
Bridesmaid Dresses, Aran Islands, from the portfolio Selected Images of Ireland
1985
go to Depois da Tempestade / After the Storm (12) page
Rivane Neuenschwander
Depois da Tempestade / After the Storm (12)
2010
go to Untitled, from the series Brooklyn Gang page
Bruce Davidson
Untitled, from the series Brooklyn Gang
1959
go to Mrs. Annie Blackman holding baby Felicia inside her sharecropper cabin, near Selma, Alabama page
Bruce Davidson
Mrs. Annie Blackman holding baby Felicia inside her sharecropper cabin, near Selma, Alabama
1965, printed later
go to Rebel Without a Cause (James Dean), from the portfolio Ads page
Andy Warhol
Rebel Without a Cause (James Dean), from the portfolio Ads
1985
go to Recollections of My Life with Diaghilev, from the portfolio America America page
Eleanor Antin
Recollections of My Life with Diaghilev, from the portfolio America America
2009
go to Linsenbild MAT (Lens Image MAT), from Edition MAT page
Karl Gerstner
Linsenbild MAT (Lens Image MAT), from Edition MAT
1964
go to Rotbunte Reihen (Red-colored sequences), from Edition MAT page
Karl Gerstner
Rotbunte Reihen (Red-colored sequences), from Edition MAT
1965
go to Untitled, from 548 First Street NE page
Trenton Doyle Hancock
Untitled, from 548 First Street NE
2012
go to Untitled, from 548 First Street NE page
Trenton Doyle Hancock
Untitled, from 548 First Street NE
2012
go to Untitled, from 548 First Street NE page
Trenton Doyle Hancock
Untitled, from 548 First Street NE
2012
go to Delilah, from O N E E V E R Y O N E · St. Louis page
Ann Hamilton
Delilah, from O N E E V E R Y O N E · St. Louis
2015
go to Janyoung, from O N E E V E R Y O N E · St. Louis page
Ann Hamilton
Janyoung, from O N E E V E R Y O N E · St. Louis
2015
go to Gautam, from O N E E V E R Y O N E · St. Louis page
Ann Hamilton
Gautam, from O N E E V E R Y O N E · St. Louis
2015
go to Malik, from O N E E V E R Y O N E · St. Louis page
Ann Hamilton
Malik, from O N E E V E R Y O N E · St. Louis
2015
go to Carbon Canyon, California, from the series Carbon Canyon page
Joe Deal
Carbon Canyon, California, from the series Carbon Canyon
1980
go to the choice a salamander gave to Hobson page
Ann Hamilton
the choice a salamander gave to Hobson
1987
go to Images of the World and the Inscription of War page
Harun Farocki
Images of the World and the Inscription of War
1988
go to Un voyage en mer du nord (A Voyage on the North Sea) page
Marcel Broodthaers
Un voyage en mer du nord (A Voyage on the North Sea)
1973–74
go to Maroon Bells, near Aspen, Colorado, plate 3 from Portfolio VI page
Ansel Adams
Maroon Bells, near Aspen, Colorado, plate 3 from Portfolio VI
1951, printed 1974
go to White Post and Spandrel, Columbia, California, plate 7 from Portfolio VI page
Ansel Adams
White Post and Spandrel, Columbia, California, plate 7 from Portfolio VI
1953, printed 1974
go to Café noir et blanc, Joinville-le-Pont page
Robert Doisneau
Café noir et blanc, Joinville-le-Pont
1948
go to Carbon Canyon, California, from the series Carbon Canyon page
Joe Deal
Carbon Canyon, California, from the series Carbon Canyon
1980
go to Pat Sabatine's 8th Birthday Party, Martins Creek, Pennsylvania, April page
Larry Fink
Pat Sabatine's 8th Birthday Party, Martins Creek, Pennsylvania, April
1977, printed 1990
go to 4D House, from the portfolio Inventions: Twelve Around One page
R. Buckminster Fuller
4D House, from the portfolio Inventions: Twelve Around One
published 1981
go to Undersea Island—Submarisle, from the portfolio Inventions: Twelve Around One page
R. Buckminster Fuller
Undersea Island—Submarisle, from the portfolio Inventions: Twelve Around One
published 1981
go to Non-Symmetrical Tension-Integrity Structures, from the portfolio Inventions: Twelve Around One page
R. Buckminster Fuller
Non-Symmetrical Tension-Integrity Structures, from the portfolio Inventions: Twelve Around One
published 1981
go to David Gonzalez, Trabilcy Drywall, Blum & Poe, Los Angeles, California, November 17, 2009 page
Sharon Lockhart
David Gonzalez, Trabilcy Drywall, Blum & Poe, Los Angeles, California, November 17, 2009
2009
go to JD and Steve, from the portfolio Every breath we drew page
Jess T. Dugan
JD and Steve, from the portfolio Every breath we drew
2020, published 2022
go to Oskar at sunset, from the portfolio Every breath we drew page
Jess T. Dugan
Oskar at sunset, from the portfolio Every breath we drew
2020, published 2022
go to Self-portrait (reaching), from the portfolio Every breath we drew page
Jess T. Dugan
Self-portrait (reaching), from the portfolio Every breath we drew
2021, published 2022
go to Self Divination, from Video Griots Trilogy page
Ulysses Jenkins
Self Divination, from Video Griots Trilogy
1989
go to Plate No. AM1079 (Variable Star in Pegasus & Markab) page
Erika Blumenfeld
Plate No. AM1079 (Variable Star in Pegasus & Markab)
2022
go to Female, 24, exhaustion with excitement, pulse leaping, 1867 page
no image
Dario Robleto
Female, 24, exhaustion with excitement, pulse leaping, 1867
2018
go to After exercise and residence in the country, 1867 page
no image
Dario Robleto
After exercise and residence in the country, 1867
2018
go to Palpitations (panic attack), 1902 page
no image
Dario Robleto
Palpitations (panic attack), 1902
2018
go to Before and after a draught of hot milk, 1878 page
no image
Dario Robleto
Before and after a draught of hot milk, 1878
2018.jpg)
go to Portrait of Lady Frances Hales (ca. 1646–1693) page
Peter Lely
Portrait of Lady Frances Hales (ca. 1646–1693)
c. 1675
go to Le chemin des vieux, Luzancy, Seine-et-Marne (The Path of the Old People) page
Jean-Baptiste-Camille Corot
Le chemin des vieux, Luzancy, Seine-et-Marne (The Path of the Old People)
1871–72
go to El Gran Canal, Venecia (Grand Canal, Venice) page
Martín Rico y Ortega
El Gran Canal, Venecia (Grand Canal, Venice)
c. 1874–1900
go to Daniel Boone Escorting Settlers through the Cumberland Gap page
George Caleb Bingham
Daniel Boone Escorting Settlers through the Cumberland Gap
1851–52
go to Twilight: Mount Desert Island, Maine page
Frederic Edwin Church
Twilight: Mount Desert Island, Maine
1865
go to Portrait of Wayman Crow, Sr. page
Frederick Porter Vinton
Portrait of Wayman Crow, Sr.
19th century
go to The Virgin Seated in a Courtyard page
Martin Schongauer
The Virgin Seated in a Courtyard
c. 1474–79
go to Knife Sheath page
Unknown (North American Indian, Sioux, Northern Plains)
Knife Sheath
c. 1880
go to Head Ornament page
Unknown (North American Indian, Northern Plains Indian)
Head Ornament
c. 1880–1900
go to Kachina Figure page
Unknown (North American Indian, Hopi, Northern Arizona)
Kachina Figure
n.d.
go to Saddle Blanket page
Unknown (North American Indian, Sioux, Northern Plains)
Saddle Blanket
n.d.
go to Portrait of Prince Otto von Bismarck page
Franz Seraph von Lenbach
Portrait of Prince Otto von Bismarck
1884–90
go to Beaded Strip page
Unknown (North American Indian, Ojibwa, Great Lakes)
Beaded Strip
c. 1890–1900
go to Small Basket page
Unknown (North American Indian, Jicarilla Apache, North West New Mexico)
Small Basket
c. 1900–30
go to View of the Pronaos of Temple of Neptune, Paestum page
Giovanni Battista Piranesi
View of the Pronaos of Temple of Neptune, Paestum
1778
go to Egham Lock, from the portfolio Etudes à l'Eau-forte par Francis Seymour Haden page
Francis Seymour Haden
Egham Lock, from the portfolio Etudes à l'Eau-forte par Francis Seymour Haden
1859
go to Entrance to Mytton Hall, Lancashire, from the portfolio Etudes à l'Eau-forte par Francis Seymour Haden page
Francis Seymour Haden
Entrance to Mytton Hall, Lancashire, from the portfolio Etudes à l'Eau-forte par Francis Seymour Haden
1859
go to Frontispiece, Plate I from the series Le Carceri (The Prisons) page
Giovanni Battista Piranesi
Frontispiece, Plate I from the series Le Carceri (The Prisons)
1745–49
go to The Smoking Fire, Plate VI from the series Le Carceri (The Prisons) page
Giovanni Battista Piranesi
The Smoking Fire, Plate VI from the series Le Carceri (The Prisons)
1749
go to The Well, Plate XIII from the series Le Carceri (The Prisons) page
Giovanni Battista Piranesi
The Well, Plate XIII from the series Le Carceri (The Prisons)
1749
go to Head of Robert Somers Brookings page
Janet Gregg Wallace Schroeder
Head of Robert Somers Brookings
1944
go to L’oeil du silence (The Eye of Silence) page
Max Ernst
L’oeil du silence (The Eye of Silence)
1943–44
go to Damier et cartes à jouer (Checkerboard and Playing Cards) page
Juan Gris
Damier et cartes à jouer (Checkerboard and Playing Cards)
1916
go to Veduta del Palazzo Odescalchi page
Giovanni Battista Piranesi
Veduta del Palazzo Odescalchi
1753
go to Il Giardino della Speranza (The Garden of Hope) page
Afro
Il Giardino della Speranza (The Garden of Hope)
1954
go to Femme drapée debout (Standing Draped Woman) page
Henri Laurens
Femme drapée debout (Standing Draped Woman)
c. 1927–29
go to Le grand atelier (The Large Studio) page
Maria Helena Vieira da Silva
Le grand atelier (The Large Studio)
1958
go to La forêt (dite de Fontainbleau) (The Forest [Known as Fontainbleau]) page
Rodolphe Bresdin
La forêt (dite de Fontainbleau) (The Forest [Known as Fontainbleau])
19th century
go to Le lac dans les montagnes (The Lake in the Mountains) page
Rodolphe Bresdin
Le lac dans les montagnes (The Lake in the Mountains)
c. 1861
go to Deux Baigneuses au bord de l'Eau (Two Bathers near the Water) page
Rodolphe Bresdin
Deux Baigneuses au bord de l'Eau (Two Bathers near the Water)
1861
go to Rumor de limites #4 (Rumor of Limits #4) page
Eduardo Chillida
Rumor de limites #4 (Rumor of Limits #4)
1960
go to Uomo con gallo (Man with Rooster) page
Luciano Minguzzi
Uomo con gallo (Man with Rooster)
1953
go to Nature morte aux oranges (II) (Still Life with Oranges [II]) page
Henri Matisse
Nature morte aux oranges (II) (Still Life with Oranges [II])
c. 1899
go to Man Seated with Legs Twisted page
Unknown (Pre-Columbian, Archaic Colima, Mexico)
Man Seated with Legs Twisted
200–400 AD
go to Ton, Ton, . . . Ta Taine, from the series Les Musiciens de Paris page
Honoré Daumier
Ton, Ton, . . . Ta Taine, from the series Les Musiciens de Paris
1841
go to Kleine Welten I (Small Worlds I), from the series Kleine Welten (Small Worlds) page
Wassily Kandinsky
Kleine Welten I (Small Worlds I), from the series Kleine Welten (Small Worlds)
1922
go to Still Life with Lemons and Goblet page
Émile Bernard
Still Life with Lemons and Goblet
c. 1890
go to Untitled, from the portfolio X + X (Ten Works by Ten Painters) page
