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Two men are around a wooden desk. One (Charles M. Kurtz) is standing. He is bearded and wearing a checkered suit. The other (Halsey C. Ives) is seated. He has a mustache and is wearing a dark suit.

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Tomás Saraceno's Cosmic Filaments, a hanging sculptural installation composed of multi-paneled, iridescent modules amid a network of interlocking ropes, viewed from below

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Birds-eye view of the Kenneth and Nancy Kranzberg Art & Architecture Library and Special Collections.

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Fernand Léger (French, 1881-1955), "Les belles cyclistes (The Woman Cyclists)," 1944. Oil on canvas, 29 x 36". Mildred Lane Kemper Art Museum, Washington University in St. Louis. Gift of Charles H. Yalem, 1963.

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Katharina Grosse, <em>Untitled</em>, 2016. Acrylic paint on wallboard, wood veneer, and steel, 480 x 960 x 67 in. University purchase, Art on Campus fund, Gary M. Sumers Recreation Center, 2016.

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Tomás Saraceno (Argentine, b. 1973), Cosmic Filaments, 2019. Dichroic filters, polyacrylic panels, stainless steel, and polyester rope, 17'6" x 53' x 27'8". University purchase with funds from the William T. Kemper Foundation and Art on Campus Fund, 2019.

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